1. The Origin of Kala: A SundaneseWayang Golek Purwa Playby Abah Sunarya andGamelan Giri Harja I
  2. Kathy Foley
  3. pp. 1-58
  4. DOI: 10.1353/atj.2001.0002
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  1. Visible Puppets and HiddenPuppeteers: Indian Gombeyata Puppetry
  2. Michael Schuster
  3. pp. 59-68
  4. DOI: 10.1353/atj.2001.0008
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  1. Burmese Marionettes: Yokthe Thay in Transition
  2. Kathy Foley
  3. pp. 69-80
  4. DOI: 10.1353/atj.2001.0003
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  1. Hun: Thai Doll Puppetry
  2. Surapone Virulrak, Kathy Foley
  3. pp. 81-86
  4. DOI: 10.1353/atj.2001.0010
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  1. Contest-ing Culture: Sundanese Wayang Golek Purwa Competitions in New Order Indonesia
  2. Andrew N. Weintraub
  3. pp. 87-104
  4. DOI: 10.1353/atj.2001.0011
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  1. Lakon Karangan: The Legacy ofKi Nartosabdho in Banyumas,Central Java
  2. Robert Petersen
  3. pp. 105-112
  4. DOI: 10.1353/atj.2001.0007
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  1. Land of Ashes and Diamonds: My Apprenticeship inPoland (review)
  2. Michael Hüttler
  3. pp. 113-115
  4. DOI: 10.1353/atj.2001.0005
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  1. Buddhism as/in Performance: Analysis of Meditationand Theatrical Practice (review)
  2. Barbara Sellers-Young
  3. pp. 116-117
  4. DOI: 10.1353/atj.2001.0009
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  1. Misreading the Chinese Character: Images of the Chinesein Euroamerican Drama to 1925 (review)
  2. John Steven Paul
  3. pp. 117-119
  4. DOI: 10.1353/atj.2001.0006
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  1. Gatutkaca on Trial: A New Creation in the Shadow Theater of Central Java, and: Released from Kala's Grip: A Wayang Exorcism Performance from East Java, and: Demon Abduction: A Wayang Ritual Drama from West Java, and: The Traitor Jobin: A Wayang Golek Performance from Central Java, and: The Birth of Gatotkaca: A Sundanese Wayang Golek Purwa Performance from West Java (review)
  2. Kathy Foley
  3. pp. 120-121
  4. DOI: 10.1353/atj.2001.0004
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  1. From the Editor
  2. Kathy Foley
  3. pp. iii-v
  4. DOI: 10.1353/atj.2001.0001
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