1. Editorial Challenges in the Early Songs of Gabriel Fauré
  2. Roy Howat, Emily Kilpatrick
  3. pp. 239-283
  4. DOI: 10.1353/not.2011.0144
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  1. The Correspondence of Alberto Ginastera at the Library of Congress
  2. Deborah Schwartz-Kates
  3. pp. 284-312
  4. DOI: 10.1353/not.2011.0152
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2005-2010
  2. Kerri Scannell Baunach
  3. pp. 313-320
  4. DOI: 10.1353/not.2011.0160
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  1. Notes for Notes
  2. pp. 321-323
  3. DOI: 10.1353/not.2011.0168
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  1. Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn (review)
  2. Darwin F. Scott
  3. pp. 324-332
  4. DOI: 10.1353/not.2011.0139
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  1. Medieval Song in Romance Languages (review)
  2. Richard Crocker
  3. pp. 335-337
  4. DOI: 10.1353/not.2011.0178
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  1. Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (review)
  2. Kathleen Sewright
  3. pp. 337-340
  4. DOI: 10.1353/not.2011.0155
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  1. Juan Esquivel: A Master of Sacred Music during the Spanish Golden Age (review)
  2. Kenneth Kreitner
  3. pp. 340-341
  4. DOI: 10.1353/not.2011.0148
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  1. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival (review)
  2. Carlo Bosi
  3. pp. 341-343
  4. DOI: 10.1353/not.2011.0173
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  1. The Ruined Bridge: Studies in Barberini Patronage of Music and Spectacle, 1631-1679 (review)
  2. Reba Wissner
  3. pp. 346-347
  4. DOI: 10.1353/not.2011.0171
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  1. Antonio Vivaldi, and: Antonio Vivaldi und seine Zeit (review)
  2. Eleanor Selfridge-Field
  3. pp. 348-351
  4. DOI: 10.1353/not.2011.0147
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  1. Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (review)
  2. Yannis Rammos
  3. pp. 351-354
  4. DOI: 10.1353/not.2011.0158
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  1. Songs in Motion: Rhythm and Meter in the German Lied (review)
  2. Ryan Ebright
  3. pp. 354-357
  4. DOI: 10.1353/not.2011.0143
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  1. Liszt as Transcriber (review)
  2. Shay Loya
  3. pp. 357-359
  4. DOI: 10.1353/not.2011.0164
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  1. Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siècle Vienna (review)
  2. Klára Moricz
  3. pp. 359-361
  4. DOI: 10.1353/not.2011.0137
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  1. Schoenberg's New World: The American Years (review)
  2. Howard Pollack
  3. pp. 361-364
  4. DOI: 10.1353/not.2011.0169
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  1. Boulez, Music and Philosophy (review)
  2. Jessica Payette
  3. pp. 364-366
  4. DOI: 10.1353/not.2011.0161
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  1. Hanns Eisler Briefe 1907-1943 (review)
  2. Sabine Feisst
  3. pp. 366-368
  4. DOI: 10.1353/not.2011.0151
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  1. Music and the Wesleys (review)
  2. Andrew Shryock
  3. pp. 368-370
  4. DOI: 10.1353/not.2011.0163
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  1. Sibelius in the Old and New World: Aspects of His Music, Its Interpretation, and Reception (review)
  2. Carl Rahkonen
  3. pp. 370-373
  4. DOI: 10.1353/not.2011.0150
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  1. I Don't Sound Like Nobody: Remaking Music in 1950s America (review)
  2. Alexander Raymond Ludwig
  3. pp. 373-375
  4. DOI: 10.1353/not.2011.0172
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  1. The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (review)
  2. Aaron Liu-Rosenbaum
  3. pp. 375-377
  4. DOI: 10.1353/not.2011.0174
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  1. Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz (review)
  2. Sarah Caissie Provost
  3. pp. 377-379
  4. DOI: 10.1353/not.2011.0177
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  1. Stories from the Anne Grimes Collection of American Folk Music (review)
  2. John B. Wolford
  3. pp. 379-381
  4. DOI: 10.1353/not.2011.0179
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  1. The Makers of the Sacred Harp (review)
  2. Drew Beisswenger
  3. pp. 381-383
  4. DOI: 10.1353/not.2011.0165
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  1. Ramblin' Jack Elliott: The Never-Ending Highway (review)
  2. Chris Durman
  3. pp. 383-385
  4. DOI: 10.1353/not.2011.0136
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  1. Gone to the Country: The New Lost City Ramblers & the Folk Music Revival (review)
  2. Ned Quist
  3. pp. 385-387
  4. DOI: 10.1353/not.2011.0185
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  1. Recorded Music: Performance, Culture and Technology (review)
  2. Eliot Bates
  3. pp. 387-392
  4. DOI: 10.1353/not.2011.0157
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  1. When Opera Meets Film (review)
  2. Laura Basini
  3. pp. 392-394
  4. DOI: 10.1353/not.2011.0149
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  1. Jean-Luc Godard—musicien: die Musik in den Filmen von Jean-Luc Godard, and: Jean-Luc Godard (review)
  2. David Neumeyer
  3. pp. 394-396
  4. DOI: 10.1353/not.2011.0145
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  1. Wendy Hilton: A Life in Baroque Dance (review)
  2. Dominique Bourassa
  3. pp. 396-398
  4. DOI: 10.1353/not.2011.0181
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  1. Annotated Catalogue of Chopin's First Editions (review)
  2. Jonathan Kregor
  3. pp. 398-400
  4. DOI: 10.1353/not.2011.0140
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  1. Maria Szymanowska (1789-1831): A Bio-Bibliography (review)
  2. Renata Pasternak-Mazur
  3. pp. 400-403
  4. DOI: 10.1353/not.2011.0180
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  1. An Annotated Bibliography of Guitar Methods, 1760-1860 (review)
  2. Gary R. Boye
  3. pp. 403-405
  4. DOI: 10.1353/not.2011.0138
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  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 407-424
  4. DOI: 10.1353/not.2011.0176
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  1. JSTOR Music Collection (review)
  2. Verletta Kern
  3. pp. 425-428
  4. DOI: 10.1353/not.2011.0183
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  1. Digital Image Archive of Medieval Music (DIAMM) (review)
  2. Michelle Oswell
  3. pp. 428-431
  4. DOI: 10.1353/not.2011.0153
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  1. Oxford History of Western Music (review)
  2. Ned Quist
  3. pp. 431-433
  4. DOI: 10.1353/not.2011.0142
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  1. Classical Music Reference Library (review)
  2. Beth Royall
  3. pp. 433-435
  4. DOI: 10.1353/not.2011.0182
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  1. Sound Recording Reviews
  2. Tom Caw
  3. p. 436
  4. DOI: 10.1353/not.2011.0186
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  1. The Milliner-Koken Collection of American Fiddle Tunes (review)
  2. Chris Goertzen
  3. pp. 442-443
  4. DOI: 10.1353/not.2011.0159
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  1. Index to Advertisers
  2. p. 456
  3. DOI: 10.1353/not.2011.0141
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  1. Inside the Offertory: Aspects of Chronology and Transmission (review)
  2. Lance W. Brunner
  3. pp. 332-334
  4. DOI: 10.1353/not.2011.0146
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  1. Music Received
  2. David Knapp
  3. pp. 447-453
  4. DOI: 10.1353/not.2011.0184
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