Volume 52, Number 1, Spring 2011

Table of Contents

From: Framework: The Journal of Cinema and Media

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Things Fall Apart: Peter Whitehead Issue, Part I

Editorial

pp. 9-11
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Acknowledgments

p. 11
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Peter Whitehead: Chronology

pp. 13-14
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"The Wanderer," Part 1

pp. 15-26
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Dossier: Early Film

Peter Whitehead: The Slade Years

pp. 28-49
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Early Film Documents

pp. 50-63
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Dossier: The Perception of Life

Hors d'oeuvre: Science, the Short Film, and The Perception of Life

pp. 66-82
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Peter Whitehead's The Perception of Life and the Biological Aesthetic

pp. 83-90
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The Perception of Life Documents

pp. 91-100
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Dossier: Wholly Communion

Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture

pp. 102-127
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Wholly Communion: Truths, Histories, and the Albert Hall Poetry Reading

pp. 128-143
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Wholly Communion: Scenario, Film, Novelization

pp. 145-163
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Wholly Communion: Notes on the Filming

pp. 164-165
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Wholly Communion: Films and Filming Review 1966

pp. 166-168
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Dossier: Rolling Stones

Through the Lens, Darkly: Peter Whitehead and The Rolling Stones

pp. 170-191
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Charlie Is My Darling, Press Release

pp. 192-193
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Charlie Is My Darling, Review, Variety, 1966

pp. 194-195
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Letters to Andrew Oldham

pp. 196-208
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Two Film Treatments: "Proposal" and Mein Campf

pp. 209-217
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Film Treatment: Orpheus Inc.

pp. 218-221
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Charlie Is My Darling Review, Films and Filming, 1966

p. 222
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Dossier: Whitehead Film Reviews

Films and Filming Reviews, 1966-1969

pp. 224-241
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Thomas the Imposter (review)

pp. 224-227
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Paris vu par . . . (review)

pp. 227-230
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Coogan's Bluff (review)

pp. 230-233
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The Sergeant (review)

pp. 223-235
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Theorem (review)

pp. 235-238
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Oedipus Rex (review)

pp. 238-240
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Dossier: Tonight Let's All Make Love in London

Standing in the Shadow: Peter Whitehead, Swinging London's Insider/Outsider

pp. 244-277
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Whitehead's London: Pop and the Ascendant Celebrity

pp. 278-298
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Other than Vérité: Sound and Moving Image in the Rock Music Documentaries of Peter Whitehead

pp. 299-312
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Tonite Let's All Make Love in London

p. 313
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Tonite Let's All Make Love in London, New York Film Festival Press Release

p. 314
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Tonite Let's All Make Love in London Review, Films and Filming, 1968

pp. 315-318
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Tonite Let's All Make Love in London Review, Variety, 1967

pp. 319-320
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National Film Finance Letter on Tonite Let's All Make Love in London, 1967

p. 321
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Solicitor Letter on Tonite Let's All Make Love in London, 1967

p. 322
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Dossier: Benefit of the Doubt

Shooting Star: Peter Whitehead and 1960s Documentary

pp. 324-331
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On Independence

p. 332
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"More Problems than Solutions," 1967

pp. 333-334
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Interview with Peter Whitehead

pp. 335-336
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An Excellent Lesson in Partisan Theater, 1968

pp. 337-338
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Benefit of the Doubt, Review, 1965

pp. 339-340
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Benefit of the Doubt, Review, Variety, 1967

pp. 341-342
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Letters about Benefit of the Doubt, 1967

pp. 343-348
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Dossier: Lorrimer

Lorrimer Letters

pp. 350-360
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Lorrimer Books Advertisement, 1967

p. 361
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Wholly Experience: Lorrimer Series Review, Films and Filming, 1966

pp. 362-363
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"The Ultimate Doomed Victims of the Romantic Dream": Jean-Luc Godard/Peter Whitehead

pp. 367-385
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Dossier: Godard

Jean-Luc: I Hate You!

pp. 386-388
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Films and Filming: Godard Reviews, 1966-1969

pp. 389-398
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Pierrot le Fou (review)

pp. 389-392
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A Woman Is a Woman (review)

pp. 392-393
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Weekend (review)

pp. 393-395
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One Plus One

pp. 395-398
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Contract with Jean-Luc Godard for Lorrimer Edition of Alphaville

pp. 399-400
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The Warsaw Ghetto

pp. 401-403
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Re-creating the Gaze: Peter Whitehead's Cinema and the Films of Others

pp. 404-417
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Dossier: The Fall

From Alienation to Hallucination: Peter Whitehead's The Fall and the Politics of Perception in the 1960s

pp. 420-457
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After The Fall: Politics, Representation, and the Permanence of Empire in the Cinema of Peter Whitehead

pp. 458-479
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Peter Whitehead's The Fall Revisited

pp. 480-483
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The Fall Dossier: Extracts

pp. 484-497
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Two Film Treatments: Protest and The Fall

pp. 498-524
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Second Take of Imaginary Narration

pp. 525-526
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Manifesto: Re Self in Film

pp. 527-528
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The Inner Space Project, Review Essay, Afterimage: Film and Politics, 1970

pp. 529-535
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I Destroy Therefore I Am . . . , Interview, Films and Filming, 1969

pp. 536-546
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I Dream Therefore I Am. I Doubt Therefore I Film, Guardian, 2002

pp. 547-553
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