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In this Issue

Table of Contents

  1. Artists and Communities
  2. Julie Salverson, Kim Renders
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/ctr.2011.0074
  5. restricted access
  1. Is Anyone Political Anymore?
  2. Ruth Howard
  3. pp. 5-9
  4. DOI: https://doi.org/10.1353/ctr.2011.0077
  5. restricted access
  1. Local and Transnational Dialogues on Memory and Violence in Jamaica and Toronto: Staging Letters from the Dead among the Living
  2. Honor Ford-Smith
  3. pp. 10-17
  4. DOI: https://doi.org/10.1353/ctr.2011.0080
  5. restricted access
  1. The Bridge: Toward Relational Aesthetic Inquiry in the Montreal Life Stories Project
  2. Nisha Sajnani, Warren Linds, Lisa Ndejuru, Alan Wong, Members of the Living Histories Ensemble
  3. pp. 18-24
  4. DOI: https://doi.org/10.1353/ctr.2011.0083
  5. restricted access
  1. Squaw Hall—A Community Remembers
  2. Nicola Harwood
  3. pp. 25-31
  4. DOI: https://doi.org/10.1353/ctr.2011.0086
  5. restricted access
  1. Adapting City of Dreams: Staging an Urban Imaginary
  2. Caleb Johnston
  3. pp. 32-37
  4. DOI: https://doi.org/10.1353/ctr.2011.0071
  5. restricted access
  1. Speaking Out on Violence and Social Change: Transmedia Storytelling with Remotely Situated Women in Nepal and Canada
  2. Emma Alexander, Edith Regier
  3. pp. 38-42
  4. DOI: https://doi.org/10.1353/ctr.2011.0073
  5. restricted access
  1. Judith Thompson's Body and Soul: Tactics of Theatre in the Corporate Strategy
  2. Sorouja Moll
  3. pp. 43-49
  4. DOI: https://doi.org/10.1353/ctr.2011.0076
  5. restricted access
  1. Working with The EFry Group for A Moveable Feast
  2. Donna-lee Iffla
  3. pp. 50-53
  4. DOI: https://doi.org/10.1353/ctr.2011.0079
  5. restricted access
  1. Staging the Internet: Representation (Bodies, Memories) and Digital Audiences
  2. Kathleen Irwin
  3. pp. 54-60
  4. DOI: https://doi.org/10.1353/ctr.2011.0082
  5. restricted access
  1. About Uth Ink
  2. Robin Sokoloski
  3. p. 61
  4. DOI: https://doi.org/10.1353/ctr.2011.0085
  5. restricted access
  1. My Uth Ink experience in Ottawa
  2. Kim Renders
  3. pp. 62-64
  4. DOI: https://doi.org/10.1353/ctr.2011.0087
  5. restricted access
  1. Night
  2. Christopher Morris
  3. pp. 65-88
  4. DOI: https://doi.org/10.1353/ctr.2011.0070
  5. restricted access
  1. Random Acts of Culture: Reclaiming Art and Community in the 21st Century (review)
  2. Darren O'Donnell
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/ctr.2011.0089
  5. restricted access
  1. Popular Political Theatre and Performance (review)
  2. Tim Prentki
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/ctr.2011.0072
  5. restricted access
  1. The Experience of Imaginary Ordinary
  2. Andrew Houston
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/ctr.2011.0075
  5. restricted access
  1. In the Medieval Fashion: Community as Performance in The Midnapore Cycle
  2. Tamara Haddad
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/ctr.2011.0078
  5. restricted access
  1. Devoted and Disgruntled: An Open Space Making a Scene Conference
  2. Monica Prendergast
  3. pp. 100-103
  4. DOI: https://doi.org/10.1353/ctr.2011.0081
  5. restricted access
  1. Drama and Desire: Artists and the Theatre (review)
  2. Ashley Williamson
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/ctr.2011.0084
  5. restricted access