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  Volume 63, Number 3, October 2011

Table of Contents

From: Theatre Journal

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Asian Theatre and Performance

Editorial Comment Behind the Paradox of Religious Rhetoric in a Time of Swine Flu, or An Accidental Asianist

pp. vii-x

Special Issue Essays

Behind the Play: The World and Works of Nick Rongjun Yu

pp. 311-321

Behind the Lie

pp. 323-364

The Theatricality of Religious Rhetoric: Gao Xingjian and the Meaning of Exile

pp. 365-379

Staging the "Cartography of Paradox": The DMZ Special Exhibition at the Korean War Memorial, Seoul

pp. 381-402

Pigs Might Fly: Dance in the Time of Swine Flu

pp. 403-424

Special Book Review Essay

India's Theatrical Modernity: Re-Theorizing Colonial, Postcolonial, and Diasporic Formations

pp. 425-437

Performance Review

Show Your Face!, and: Woyzeck on the Highveld (review)

pp. 439-442

$pent (review)

pp. 442-444

In the Wake, and: The Little Foxes (review)

pp. 444-447

K. (review)

pp. 447-449

Bluefinger: The Fall and Rise of Herman Brood (review)

pp. 449-451

A Free Man of Color (review)

pp. 451-453

An Iliad (review)

pp. 453-455

Rosmersholm (review)

pp. 455-457

The Piano Lesson (review)

pp. 457-459

Terminus (review)

pp. 459-460

Harriet Jacobs (review)

pp. 460-462

The Importance of Being Earnest (review)

pp. 462-464

A Midsummer Night's Dream (review)

pp. 464-465

We Have Always Lived in the Castle (review)

pp. 466-468

Book Review

The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)

pp. 469-470

Chinese Shakespeares: Two Centuries of Cultural Exchange (review)

pp. 470-471

Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)

pp. 471-473

Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S. (review)

pp. 472-473

The Japan of Pure Invention: Gilbert and Sullivan's The Mikado (review)

pp. 473-474

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre (review)

pp. 475-476

National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage (review)

pp. 476-478

Violence Against Women in Early Modern Perfomance: Invisible Acts (review)

pp. 478-479

Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century (review)

pp. 479-481

Shakespeare and the American Musical (review)

pp. 481-482

Planes of Composition: Dance, Theory, and the Global (review)

pp. 482-483

The Provocation of the Senses in Contemporary Theatre (review)

pp. 483-484

Youth and Theatre of the Oppressed (review)

pp. 485-486

Sensualities/Textualities and Technologies: Writings of the Body in 21st-Century Performance (review)

pp. 486-487

Books Received

pp. 488-495

Research Areas


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