1. Precious and the Novel Push
  2. Suzette Spencer, Carlos Miranda
  3. pp. 3-4
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  1. Afrosurrealism in Film/Video
  2. Terri Simone Francis
  3. pp. 5-6
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  1. Haile Gerima’s Black Radical Tradition On Screen: African Cinema of Liberation at Home and Abroad
  2. Greg Thomas
  3. pp. 7-8
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  1. “Woman Thou Art Bound”: Critical Spectatorship, Black Masculine Gazes, and Gender Problems in Tyler Perry’s Movies
  2. Robert J. Patterson
  3. pp. 9-30
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  1. Flora Gomes, Filmmaker in Search of a Nation
  2. Akin Adesokan
  3. pp. 31-53
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  1. The Last King of Scotland and the Politics of Adaptation
  2. Lesley Marx
  3. pp. 54-74
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  1. “Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night
  2. Emma Hamilton, Troy Saxby
  3. pp. 75-95
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  1. “Buses Are a Comin’. Oh Yeah!”: Stanley Nelson on Freedom Riders
  2. Michael T. Martin
  3. pp. 96-122
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  1. FESPACO 2011: A Festival Under Threat
  2. Olivier Barlet, Melissa Thackway
  3. pp. 123-133
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  1. “This Is the Last FESPACO I’ll Be Coming To”: An Interview with Mahamat-Saleh Haroun
  2. Olivier Barlet, Melissa Thackway
  3. pp. 134-140
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  1. “The Way to Help Us Is to Give Us Our Funding on Time!”: An Interview with Michel Ouedraogo, Delegate General of FESPACO
  2. Olivier Barlet, Melissa Thackway
  3. pp. 141-145
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  1. FeCAViP Manifesto (1990): Federation of Caribbean Audiovisual Professionals
  2. p. 146
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  1. Poster Gallery: Coming Attractions
  2. David Wall
  3. pp. 147-162
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  1. Blaxploitation Films of the 1970s: Blackness and Genre (review)
  2. Karen M. Bowdre
  3. pp. 163-165
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  1. The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense (review)
  2. Holly Mayne
  3. pp. 165-168
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  1. Dance and the Hollywood Latina: Race, Sex and Stardom (review)
  2. Jennifer Zale
  3. pp. 168-171
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  1. Preserving Rare Interviews with African American Filmmakers
  2. Mark Hood, Susan Hooyenga, Mary K. Huelsbeck
  3. pp. 172-180
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  1. Professional Notes and Research Resources
  2. pp. 181-186
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  1. Editor’s Notes
  2. pp. 1-2
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  1. Notes on Contributors
  2. pp. 187-190
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