restricted access   Number 28, 2011

Table of Contents

Édouard Glissant in Conversation with Manthia Diawara

pp. 4-19

A Vigil of Departure: Louis Khehla Maqhubela—His Life and Work (1960-2010)

pp. 20-33

Probing White Guilt, Pursuing White Redemption: William Kentridge's 9 Drawings for Projection

pp. 34-47

William Kentridge's Activist Uncertainty during and after Apartheid

pp. 48-57

Paul Emmanuel's Transitions: The White South African Male in Process

pp. 58-66

Beyond Geography: Africa and Colonial Time in Who Knows Tomorrow

pp. 68-77

Who Knows Tomorrow: Berlin and Beyond

pp. 78-87

"Cut and Mix": Jean-Michel Basquiat in Retrospect

pp. 88-95

Cartographies Of Uneven Exchange: The Fluidity of Sculptural Form: El Anatsui in Conversation with Okwui Enwezor

pp. 96-105

A Fateful Journey: A Curator's Perspective

pp. 106-112

A Nomad's Revolutionary Beauty

pp. 114-129

Yto Barrada: Tangier's Changing Cosmopolitanisms

pp. 130-139


Imagined Museums: Art and Modernity in Postcolonial Morocco (review)

pp. 140-141

El Anatsui: When I Last Wrote to You about Africa (review)

pp. 142-145

A Fateful Journey: Africa in the Works of El Anatsui (review)

pp. 146-148

William Pope.L Landscape + Object + Animal (review)

pp. 149-151

Zwelethu Mthethwa Inner Views, and: Zwelethu Mthethwa (review)

pp. 152-155

Wangechi Mutu Hunt Bury Flee (review)

pp. 156-159