1. From the Editor
  2. Sarah Werner
  3. pp. 307-308
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  1. Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)
  2. W. B. Worthen
  3. pp. 309-339
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  1. The Morals of Macbeth and Peace as Process: Adapting Shakespeare in Northern Ireland’s Maximum Security Prison
  2. Ramona Wray
  3. pp. 340-363
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  1. Performing Oblivion / Enacting Remembrance: The Merchant of Venice in West Germany, 1945 to 1961
  2. Zeno Ackermann
  3. pp. 364-395
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  1. Shakespeare and Contemporary Latin American Cinema
  2. Mark Thornton Burnett
  3. pp. 396-419
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  1. Performing Prophecy: More Life on the Shakespearean Scene
  2. Daniel L. Keegan
  3. pp. 420-443
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  1. A Season in Intercultural Limbo: Ninagawa Yukio’s Doctor Faustus, Theatre Cocoon, Tokyo
  2. Todd A. Borlik
  3. pp. 444-456
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  1. Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian Billing, and Carolyn Sale
  2. Sarah Werner
  3. pp. 457-462
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  1. Shakespeare, the Queen’s Men, and the Elizabethan Performance of History (review)
  2. Sally-Beth MacLean
  3. pp. 463-466
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  1. Theater of a City: The Places of London Comedy, 1598–1642 (review)
  2. Lars Engle
  3. pp. 466-469
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  1. Voice in Motion: Staging Gender, Shaping Sound (review)
  2. Leslie Dunn
  3. pp. 469-472
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  1. Shakespeare and the Institution of Theatre: “The Best in This Kind.” (review)
  2. Gretchen E. Minton
  3. pp. 473-475
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  1. Shakespeare on Silent Film: An Excellent Dumb Discourse (review)
  2. Anthony R. Guneratne
  3. pp. 475-478
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  1. Shakespeare on Screen: The Henriad (review)
  2. Michael Anderegg
  3. pp. 478-480
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  1. Contributors
  2. pp. 481-483
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