restricted access   Volume 62, Number 3, Fall 2011

Table of Contents

From: Shakespeare Quarterly

Previous Issue Next Issue

From the Editor

pp. 307-308


Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

pp. 309-339

The Morals of Macbeth and Peace as Process: Adapting Shakespeare in Northern Ireland’s Maximum Security Prison

pp. 340-363

Performing Oblivion / Enacting Remembrance: The Merchant of Venice in West Germany, 1945 to 1961

pp. 364-395

Shakespeare and Contemporary Latin American Cinema

pp. 396-419

Performing Prophecy: More Life on the Shakespearean Scene

pp. 420-443

A Season in Intercultural Limbo: Ninagawa Yukio’s Doctor Faustus, Theatre Cocoon, Tokyo

pp. 444-456

Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian Billing, and Carolyn Sale

pp. 457-462

Book Reviews

Shakespeare, the Queen’s Men, and the Elizabethan Performance of History (review)

pp. 463-466

Theater of a City: The Places of London Comedy, 1598–1642 (review)

pp. 466-469

Voice in Motion: Staging Gender, Shaping Sound (review)

pp. 469-472

Shakespeare and the Institution of Theatre: “The Best in This Kind.” (review)

pp. 473-475

Shakespeare on Silent Film: An Excellent Dumb Discourse (review)

pp. 475-478

Shakespeare on Screen: The Henriad (review)

pp. 478-480


pp. 481-483