1. Crafting Experience: William Morris, John Dewey, and Utopia
  2. John Freeman-Moir
  3. pp. 202-232
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  1. Fabricating Activism: Craft-Work, Popular Culture, Gender
  2. Jack Z. Bratich, Heidi M. Brush
  3. pp. 233-260
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  1. Do-It-Yourself: The Precarious Work and Postfeminist Politics of Handmaking (in) Detroit
  2. Nicole Dawkins
  3. pp. 261-284
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  1. Fit to a T: Spray-On Clothing, Craft, Commodity Fetishism, and the Agency of Objects
  2. Sarah Amato
  3. pp. 285-302
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  1. “Old Time Mem’ry”: Contemporary Urban Craftivism and the Politics of Doing-It-Yourself in Postindustrial America
  2. Kristen A. Williams
  3. pp. 303-320
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  1. The Object of Therapy: Mary E. Black and the Progressive Possibilities of Weaving
  2. Erin Morton
  3. pp. 321-340
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  1. The Craftivist Collective Guide to Craftivism
  2. Sarah Corbett, Sarah Housley
  3. pp. 344-351
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  1. Common Goods
  2. Travis Joseph Meinolf
  3. pp. 352-357
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  1. Utopia at the Art Museum: A Review of the UTOPIA Project at ARKEN Museum of Modern Art in Denmark
  2. Camilla Jalving
  3. pp. 360-366
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  1. The Cambridge Companion to Utopian Literature (review)
  2. Michael Griffin
  3. pp. 373-377
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  1. William Morris in the Twenty-First Century (review)
  2. Milada Burcikova
  3. pp. 377-383
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  1. Design for Micro-Utopias: Making the Unthinkable Possible (review)
  2. Milada Burcikova
  3. pp. 384-386
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  1. Act 18. Utopia e Ciência (review)
  2. Sofia de Melo Araújo
  3. pp. 386-393
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  1. Dreaming the Biosphere: The Theater of All Possibilities (review)
  2. Timothy Miller
  3. pp. 393-396
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  1. Introduction
  2. Maria Elena Buszek, Kirsty Robertson
  3. pp. 197-200
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  1. Introduction to the Artists’ Statements
  2. Maria Elena Buszek, Kirsty Robertson
  3. pp. 342-343
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  1. Utopianism: A Very Short Introduction (review)
  2. Jack Fennell
  3. pp. 370-373
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  1. Contributors
  2. pp. 403-404
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