1. The German Apprenticeship of Charles Ives
  2. Bryan R. Simms
  3. pp. 139-167
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  1. The Birth of a Nation and the Limits of the Human Universal in Ernest Bloch's America
  2. Klára Móricz
  3. pp. 168-202
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  1. Charlotte Le Pelletier's Journal of Musick (1810): A New Look at French Culture in Early America
  2. Elise K. Kirk
  3. pp. 203-228
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  1. Musical Eclecticism and Ambiguity in The Sweet Hereafter
  2. Lloyd Whitesell
  3. pp. 229-263
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  1. Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (review)
  2. Ann Ommen van der Merwe
  3. pp. 264-266
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  1. Counterculture Kaleidoscope: Musical and Cultural Perspectives on Late Sixties San Francisco (review)
  2. Jennifer Rycenga
  3. pp. 266-268
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  1. Stan Kenton: This Is an Orchestra! (review)
  2. Frank Tirro
  3. pp. 268-270
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  1. Blues Music in the Sixties: A Story in Black and White (review)
  2. David Evans
  3. pp. 271-273
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  1. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music (review)
  2. Boden C. Sandstrom
  3. pp. 273-276
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