1. A Cinema of Urgency: Interview with John Gianvito
  2. John Gianvito
  3. pp. 3-17
  4. DOI: 10.1353/esp.2011.0040
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  1. « En fin de compte, un génocide, c'est très humain » : S21: la machine de mort khmère rouge de Rithy Panh
  2. Nathalie Rachlin
  3. pp. 18-33
  4. DOI: 10.1353/esp.2011.0030
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  1. Making Waves: René Vautier's Afrique 50 and the Emergence of Anti-Colonial Cinema
  2. Steven Ungar
  3. pp. 34-46
  4. DOI: 10.1353/esp.2011.0032
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  1. Rififi and the Politics of Silence
  2. Philip Watts
  3. pp. 47-58
  4. DOI: 10.1353/esp.2011.0034
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  1. Filming Work and the Work of Film
  2. Martin O'Shaughnessy
  3. pp. 59-73
  4. DOI: 10.1353/esp.2011.0036
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  1. Chronicle of a Death Unseen: Cinematic Treatments of the Disappearance of Mehdi Ben Barka
  2. Sue Harris
  3. pp. 74-87
  4. DOI: 10.1353/esp.2011.0037
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  1. Rohmer's Triple Agent: Theatricality, Archive and the 1930s
  2. Ivone Margulies
  3. pp. 88-103
  4. DOI: 10.1353/esp.2011.0039
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  1. Can Comedy Change the World?: Jean Yanne and French Comic Cinema of the 1970's
  2. Dalton Krauss
  3. pp. 104-117
  4. DOI: 10.1353/esp.2011.0041
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  1. The Liberating Power of Laughter: Le Placard and Gazon maudit
  2. Lynn A. Higgins
  3. pp. 118-133
  4. DOI: 10.1353/esp.2011.0031
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  1. Dada's Women (review)
  2. John D. Erickson
  3. pp. 134-135
  4. DOI: 10.1353/esp.2011.0033
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  1. Correspondance (review)
  2. Stephen Steele
  3. pp. 135-136
  4. DOI: 10.1353/esp.2011.0035
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  1. Introduction: The Powers of Cinema
  2. Lynn A. Higgins, Steven Ungar, Dalton Krauss
  3. pp. 1-2
  4. DOI: 10.1353/esp.2011.0038
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