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In this Issue

Table of Contents

  1. Revisiting ‘Le bon goût’: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650–1730
  2. David Chung
  3. pp. 183-201
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  1. ‘The Joyous Light of Day’: New Year’s Day Music in Leipzig, 1781–1847
  2. Jeffrey S. Sposato
  3. pp. 202-229
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  1. A Cohesive Shambles: The Clash’s ‘London Calling’ and the Normalization of Punk
  2. Matthew Gelbart
  3. pp. 230-272
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  1. Re-Reading Saint-Saëns
  2. Jann Pasler
  3. pp. 273-279
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  1. Three Occasional Odes (review)
  2. Martin Adams
  3. pp. 280-282
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  1. Motets for One, Two or Three Voices and Basso Continuo (review)
  2. Peter Leech
  3. pp. 282-285
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  1. Music and Wonder at the Medici Court: The 1589 Interludes for La pellegrina (review)
  2. Tim Shephard
  3. pp. 285-287
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  1. Ars Musica et naissance d’une chrétienté moderne: Histoire musicale des réformes religieuses (XVIe–XVIIe siècles) (review)
  2. David Burn
  3. pp. 287-289
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  1. Music and Musicians on the London Stage, 1695–1705 (review)
  2. Robert D. Hume
  3. pp. 289-292
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  1. Mendelssohn and Victorian England (review)
  2. Sinéad Dempsey-Garratt
  3. pp. 292-294
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  1. Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity (review)
  2. Nicholas Temperley
  3. pp. 295-297
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  1. Schumann-Studien 9 (review)
  2. James Garratt
  3. pp. 297-300
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  1. Richard Wagner and his World (review)
  2. Mark Berry
  3. pp. 300-302
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  1. Music, Culture and Social Reform in the Age of Wagner (review)
  2. Mark Berry
  3. pp. 302-305
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  1. Wagner: Beyond Good and Evil (review)
  2. Nicholas Baragwanath
  3. pp. 305-307
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  1. Gilbert and Sullivan: Class and the Savoy Tradition, 1875–1896 (review)
  2. Derek B. Scott
  3. pp. 307-310
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  1. Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (review)
  2. Pauline Fairclough
  3. pp. 310-311
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  1. Shelley’s Music: Fantasy, Authority, and the Object Voice (review)
  2. Ross Wilson
  3. pp. 317-318
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  1. Einführung in die Klaviermusik von Sergej Prokof jew (review)
  2. David Fanning
  3. pp. 324-325
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  1. John Zorn: Tradition and Transgression (review)
  2. Kenneth Gloag
  3. pp. 325-327
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  1. Peter Maxwell Davies Studies (review)
  2. Michael Hooper
  3. pp. 327-330
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  1. György Kurtág: Three Interviews and Ligeti Homages (review)
  2. Nicholas Jones
  3. pp. 330-332
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  1. Harrison Birtwistle: The Mask of Orpheus (review)
  2. Edward Venn
  3. pp. 332-334
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  1. Music in the Andes: Experiencing Music, Expressing Culture (review)
  2. Henry Stobart
  3. pp. 334-336
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  1. Recipients of ‘Music & Letters’ Awards
  2. p. 337
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  1. ‘Music & Letters’ Awards
  2. p. 339
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  1. Authors of Articles in This Issue
  2. p. 339
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  1. Books Received
  2. pp. 340-341
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