restricted access   Volume 35, Number 3, Fall 2011

Table of Contents

About This Issue

pp. 1-3


pp. 6-10

Editor’s Note

pp. 11-13

In Memory of Max Mathews

pp. 14-17

Sound Synthesis

Parametric Electric Guitar Synthesis

pp. 18-27

Models of Constructed Sound: Nonstandard Synthesis as an Aesthetic Perspective

pp. 28-39

Algorithmic Composition

Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition

pp. 40-56

Automated Performance

Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises

pp. 57-72

Experiments in Modular Design for the Creative Composition of Live Algorithms

pp. 73-85

Music Information Retrieval

An Evaluation of Musical Score Characteristics for Automatic Classification of Composers

pp. 86-97



EMusic Indaba 2010: Home Made—Hand Made (review)

pp. 98-100


Chris Salter: Entangled: Technology and the Transformation of Performance (review)

pp. 100-102

Tara Rodgers: Pink Noises: Women on Electronic Music and Sound (review)

pp. 102-103


Ron Herrema: Changing Weights (review)

pp. 103-104

CDCM Computer Music Series Volume 38: Music from Bowling Green State University, MidAmerican Center for Contemporary Music (review)

pp. 105-106

Products of Interest

Products of Interest

pp. 107-116