1. An Aesthetic of Disgust: Expanded Performance as a Model of Cultural Understanding
  2. Grethell Rasúa Fariñas, Coco Fusco
  3. pp. 2-3
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  1. Juliano Mer Khamis: Murder, Theatre, Freedom, Going Forward
  2. Erin B. Mee
  3. pp. 9-17
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  1. Alive in 100 Years
  2. Josh Perlstein
  3. p. 10
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  1. [Juliano Mer Khamis]
  2. Linda Chapman
  3. p. 12
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  1. The Unimaginable Impact
  2. Shayoni Mitra
  3. pp. 14-15
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  1. A Radical's Radical
  2. Naomi Wallace
  3. p. 15
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  1. With Juliano
  2. Abdelfattah Abusrour
  3. p. 16
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  1. Balancing Act: Fiddler’s Bottle Dance and the Transformation of “Tradition”
  2. Alisa Solomon
  3. pp. 21-30
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  1. “This Lovely Land Is Mine”: Milk and Honey’s Restorative Nostalgia for Israel
  2. Jessica Hillman
  3. pp. 31-39
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  1. Uneasy Duets: Contemporary American Dances about Israel and the Mideast Crisis
  2. Rebecca Rossen
  3. pp. 40-49
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  1. Reading “Queer” Ashkenaz: This Time from East to West
  2. Naomi Seidman
  3. pp. 50-56
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  1. Performing Jewish Nationhood: The Romance of a People at the 1933 Chicago World’s Fair
  2. Lauren Love
  3. pp. 57-67
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  1. Self Portraits (As a Jew)
  2. Douglas Rosenberg
  3. pp. 68-71
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  1. Kate Bateman: Sanitizing the Beautiful Jewess
  2. Stefanie Halpern
  3. pp. 72-79
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  1. Irwin Keller: A Performer of Parts
  2. Esther Schor
  3. pp. 80-89
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  1. Juggling Tradition
  2. Sara Felder
  3. pp. 90-99
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  1. Still Looking: Self-Love, Ethics, and Seeing Jewish
  2. Laura Levitt
  3. pp. 100-109
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  1. Enough Already! It’s Deborah Kass’s Turn to Take the Stage
  2. Constance Zaytoun
  3. pp. 110-123
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  1. Graves and Images: Once Upon a Time in America and the Unmaking of Jewish Memory
  2. Jonathan Freedman
  3. pp. 124-133
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  1. Jew Media: Performance and Technology for the 58th Century
  2. Henry Bial
  3. pp. 134-143
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  1. What the Jews Do
  2. Laurie Beth Clark
  3. pp. 144-152
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  1. I Love My Country: Freedom of Speech, Aaron Sorkin, Elie Wiesel
  2. Deb Margolin
  3. pp. 153-155
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  1. Clamorous Voices: Seven Jewish Children and Its Proliferating Publics
  2. Miriam Felton-Dansky
  3. pp. 156-164
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  1. The Armchair Traveler: Küba on the Move
  2. Fiona Wilkie
  3. pp. 164-173
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  1. Idealizing and Unraveling the Possibilities of Virtual Realities in Kevin Kerr’s SPINE
  2. Jane Wong Yeang Chui
  3. pp. 173-177
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  1. The President Electric: Ronald Reagan and the Politics of Performance (review)
  2. Joshua Abrams
  3. pp. 182-183
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  1. Crossroads: Performance Studies and Irish Culture (review)
  2. Aoife Monks
  3. pp. 184-185
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  1. Further On, Nothing: Tadeusz Kantor’s Theatre (review)
  2. Krystyna Lipinska Illakowicz
  3. pp. 185-187
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  1. Theatre, Facilitation and Nation Formation in the Balkans and Middle East (review)
  2. Leigh Clemons
  3. pp. 187-189
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  1. The Infinity Machine: Mike Parr’s Performance Art, 1971–2005 (review)
  2. Christine Stoddard
  3. pp. 189-191
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  1. More Books
  2. Sebastián Calderón Bentin
  3. pp. 195-196
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  1. Jewish American Performance: An Introduction
  2. Jill Dolan, Stacy Wolf
  3. pp. 18-20
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