1. Dramatizing the Sexual Contract: Congreve and Centlivre
  2. Vivian Davis
  3. pp. 519-543
  4. DOI: 10.1353/sel.2011.0030
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  1. Defoe, Unigenitus, and the “Catholic” Crusoe
  2. John C. Traver
  3. pp. 545-563
  4. DOI: 10.1353/sel.2011.0028
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  1. Property, History, and Identity in Defoe’s Captain Singleton
  2. Ian Newman
  3. pp. 565-583
  4. DOI: 10.1353/sel.2011.0026
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  1. Violence, Reason, and Enclosure in Defoe’s Tour
  2. Trevor Speller
  3. pp. 585-604
  4. DOI: 10.1353/sel.2011.0025
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  1. The Afterlife and The Spectator
  2. Jacob Sider Jost
  3. pp. 605-624
  4. DOI: 10.1353/sel.2011.0024
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  1. Mary Wollstonecraft, Jonathan Swift, and the Passion in Reading
  2. David M. Palumbo
  3. pp. 625-644
  4. DOI: 10.1353/sel.2011.0032
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  1. The Intuitions of Analogy in Erasmus Darwin’s Poetics
  2. Devin S. Griffiths
  3. pp. 645-665
  4. DOI: 10.1353/sel.2011.0031
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  1. “The Sable Venus” and Desire for the Undesirable
  2. Regulus Allen
  3. pp. 667-691
  4. DOI: 10.1353/sel.2011.0029
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  1. Recent Studies in the Restoration and Eighteenth Century
  2. Devoney Looser
  3. pp. 693-729
  4. DOI: 10.1353/sel.2011.0027
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  1. Books Received
  2. pp. 730-741
  3. DOI: 10.1353/sel.2011.0033
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