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  Volume 68, Number 1, September 2011

Table of Contents

William Walton’s Film Scores: New Evidence in the Autograph Manuscripts

pp. 9-32
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Preserving the Electroacoustic Music Legacy: A Case Study of the Sal-Mar Construction at the University of Illinois

pp. 33-47
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Variation on a Traditional Theme: The Question of Racial and Ethnic Diversity in MLA

pp. 48-59
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Notes for Notes

Notes for Notes

pp. 60-66
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Book Reviews

North America

Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness (review)

pp. 67-69
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Changing the System: The Music of Christian Wolff (review)

pp. 69-71
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South Pacific: Paradise Rewritten (review)

pp. 71-73
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The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 (review)

pp. 73-75
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From Vodou to Zouk: A Bibliographic Guide to Music of the French-speaking Caribbean and its Diaspora (review)

pp. 76-77
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Indonesia

Rasa: Affect and Intuition in Javanese Musical Aesthetics (review)

pp. 78-81
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Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music (review)

pp. 81-83
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Europe

Brahms and the Scherzo: Studies in Musical Narrative (review)

pp. 84-86
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Alexander Zemlinsky: A Lyric Symphony (review)

pp. 86-88
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Balkan Refrain: Form and Tradition in European Folk Song. By Dimitrije O. Golemović (review)

pp. 88-90
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Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991 (review)

pp. 90-92
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Rock and Roll in the Rocket City: The West, Identity, and Ideology in Soviet Dniepropetrovsk, 1960–1985 (review)

pp. 92-95
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Shostakovich’s Preludes and Fugues: Context, Style, Performance (review)

pp. 95-98
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Sviatoslav Richter, Pianist (review)

pp. 98-100
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Analysis

Sounding Out Pop: Analytical Essays in Popular Music (review)

pp. 100-102
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The Twelve-Tone Music of Luigi Dallapiccola (review)

pp. 102-105
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Challenge, Confrontation, Cognition

“In der Beschränkung zeigt sich erst der Meister”: Technik und Ästhetik der Klaviermusik für die linke Hand allein (review)

pp. 104-107
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Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond (review)

pp. 107-109
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Music and Conflict (review)

pp. 109-112
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The Music Instinct: How Music Works and Why We Can’t Do Without It (review)

pp. 112-114
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Books Recently Published

Books Recently Published

pp. 115-138
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New Periodicals

New Periodicals

pp. 139-144
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Digital Media Reviews

Concert Programmes Database (review)

pp. 145-147
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MusicBrainz (review)

pp. 147-151
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Internet Broadway Database (review)

pp. 151-153
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Video Reviews

Cleopatra, and: Norma (review)

pp. 154-155
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Die Meistersinger von Nürnberg (review)

pp. 155-156
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Der Ring des Nibelungen, Highlights (review)

pp. 156-157
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Cherevichki, and: Der Zwerg, and: Der zerbrochene Krug (review)

pp. 157-158
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Thaïs (review)

pp. 158-159
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Der Rosenkavalier (review)

pp. 159-160
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Little Women (review)

p. 160
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Barockstar: George Frideric Handel (review)

p. 161
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Pyotr Ilyich Tchaikovsky, Two films (review)

p. 162
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Enrique Granados: A Musical Portrait (review)

pp. 162-163
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Michael Nyman: Composer in Progress; Michael Nyman: In Concert (review)

pp. 163-164
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Competitors: Russia’s Child Prodigies (review)

pp. 164-165
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Maxim Vengerov: Violin Masterclass at the Royal Academy of Music, London, Benjamin Britten, Violin concerto opus 15: Violin masterclass, and: Ana Chumachenko at the Verbier Festival Academy, Violin masterclass, and: Gábor Takács-Nagy at the Verbier Festival Academy, Johannes Brahms, Piano quartet no. 3 in C minor: Chamber music masterclass, and: Aaron Rosand: Celebrating a Life in Music, and: Aaron Rosand: The Teacher (review)

pp. 165-167
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The Modern Jazz Quartet: 35th Anniversary Concert, and: The Modern Jazz Quartet: 40th Anniversary Tour (review)

pp. 167-168
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The Story of Jazz (review)

p. 168
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Jazz Icons: Series 4 (review)

pp. 169-170
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Tassa Thunder: Folk Music from India to the Caribbean (review)

pp. 170-171
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Stars and Their Guitars (review)

p. 171
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The Metaphysics of Notation (review)

pp. 172-173
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Music Reviews

Sousa Marches

pp. 174-176
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Sacred Music from the Era of Louis XIII

pp. 176-179
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Albéniz Improvisations

pp. 179-181
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Music Received

Music Received

pp. 182-190
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Research Areas

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