1. Rich Rhyme: Acoustic Allusions in Ronsard's Amours
  2. Eric MacPhail
  3. pp. 1-12
  4. DOI: 10.1353/frf.2003.0008
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  1. Subjective Dispersion in Iphigenie or the Unbearable Fullness of Being
  2. Roland Racevskis
  3. pp. 13-27
  4. DOI: 10.1353/frf.2003.0012
  5. restricted access View | Download |
  1. The World in a Drop of Water: Carraud's Science Literature for Children
  2. Ruth Carver Capasso
  3. pp. 29-47
  4. DOI: 10.1353/frf.2003.0003
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  1. Naturalism as Paranoia in Octave Mirbeau
  2. Robert Ziegler
  3. pp. 49-63
  4. DOI: 10.1353/frf.2003.0013
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  1. Unspeakable Writing: Jean Lorrain's Monsieur de Phocas
  2. Michael Du Plessis
  3. pp. 65-98
  4. DOI: 10.1353/frf.2003.0010
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  1. Des extremes qui se rejoignent: solipsisme, realisme, et le recit beckettien
  2. Eric Prieto
  3. pp. 99-116
  4. DOI: 10.1353/frf.2003.0011
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  1. Dupin's Parmenidean Echoes
  2. Glenn W. Fetzer
  3. pp. 117-129
  4. DOI: 10.1353/frf.2003.0007
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  1. Annie Ernaux: Ecrire l'Evenement
  2. Martine Delvaux
  3. pp. 131-148
  4. DOI: 10.1353/frf.2003.0006
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  1. Romanticoco: Fantaisie, chimere et melancolie (1830-1860) (review)
  2. Xavier Bourdenet
  3. pp. 149-151
  4. DOI: 10.1353/frf.2003.0002
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  1. Rachilde and French Women's Authorship from Decadence to Modernism (review)
  2. Rachel Mesch
  3. pp. 151-153
  4. DOI: 10.1353/frf.2003.0009
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  1. Reading Nathalie Sarraute: Dialogue and Distance (review)
  2. Ann Cothran
  3. pp. 153-155
  4. DOI: 10.1353/frf.2003.0005
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  1. Michel Tournier and the Metaphor of Fiction (review)
  2. William J. Cloonan
  3. pp. 155-157
  4. DOI: 10.1353/frf.2003.0004
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  1. Books Received
  2. pp. 159-160
  3. DOI: 10.1353/frf.2003.0001
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