1. Chair’s Note—Note of Farewell
  2. Marsha Haufler
  3. pp. 1-2
  4. DOI: 10.1353/aaa.2011.0004
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  1. In Appreciation of Marsha Haufler
  2. Rick Asher, Naomi Noble Richards, Vishakha Desai, Melissa Chiu
  3. p. 2
  4. DOI: 10.1353/aaa.2011.0007
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  1. Mukai Junkichi’s Transformation from a War to Minka (Folk House) Painter
  2. Maki Kaneko
  3. pp. 37-60
  4. DOI: 10.1353/aaa.2011.0006
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  1. A Flexible Concept of Finish: Rock-Cut Shrines in Premodern India
  2. Vidya Dehejia, Peter Rockwell
  3. pp. 61-89
  4. DOI: 10.1353/aaa.2011.0000
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  1. Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
  2. Melia Belli
  3. pp. 91-106
  4. DOI: 10.1353/aaa.2011.0001
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  1. Sin Sukju’s Record on the Painting Collection of Prince Anpyeong and Early Joseon Antiquarianism
  2. Burglind Jungmann
  3. pp. 107-126
  4. DOI: 10.1353/aaa.2011.0002
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  1. Art of Asia Acquired by North American Museums, 2009–2010
  2. pp. 127-162
  3. DOI: 10.1353/aaa.2011.0003
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