Volume 45, Number 2, Summer 2011

Table of Contents

Articles

How to Do Witchcraft Tragedy with Speech Acts

pp. 1-33
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A "Birthright into a New World": Representing the Town on Brome's Stage

pp. 35-63
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Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0

pp. 65-79
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Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God's Chillun Got Wings Controversy

pp. 81-97
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Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579

pp. 99-126
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Reviews

The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)

pp. 127-130
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Philosophers and Thespians: Thinking Performance (review)

pp. 131-133
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Shakespeare, Sex, and Love (review)

pp. 134-136
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Shakespeare and Biography (review)

pp. 137-139
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Don Pedro Calderón (review)

pp. 140-142
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Staging Spectatorship in the Plays of Philip Massinger (review)

pp. 142-145
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Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)

pp. 145-147
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Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)

pp. 148-151
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Euripides: Suppliant Women (review)

pp. 151-154
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Brief Notices

pp. 155-160
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Contributors

pp. 161-163
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