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  Volume 45, Number 2, Summer 2011

Table of Contents


How to Do Witchcraft Tragedy with Speech Acts

pp. 1-33

A "Birthright into a New World": Representing the Town on Brome's Stage

pp. 35-63

Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0

pp. 65-79

Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God's Chillun Got Wings Controversy

pp. 81-97

Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579

pp. 99-126


The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)

pp. 127-130

Philosophers and Thespians: Thinking Performance (review)

pp. 131-133

Shakespeare, Sex, and Love (review)

pp. 134-136

Shakespeare and Biography (review)

pp. 137-139

Don Pedro Calderón (review)

pp. 140-142

Staging Spectatorship in the Plays of Philip Massinger (review)

pp. 142-145

Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)

pp. 145-147

Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)

pp. 148-151

Euripides: Suppliant Women (review)

pp. 151-154

Brief Notices

pp. 155-160


pp. 161-163

Research Areas


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