1. How to Do Witchcraft Tragedy with Speech Acts
  2. Eric Byville
  3. pp. 1-33
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  1. A "Birthright into a New World": Representing the Town on Brome's Stage
  2. Denys Van Renen
  3. pp. 35-63
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  1. Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0
  2. Peter A. Campbell
  3. pp. 65-79
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  1. Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God's Chillun Got Wings Controversy
  2. Jeffrey Ullom
  3. pp. 81-97
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  1. Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579
  2. Karlyn Griffith
  3. pp. 99-126
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  1. The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)
  2. Martin J. Plax
  3. pp. 127-130
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  1. Philosophers and Thespians: Thinking Performance (review)
  2. Lydia Goehr
  3. pp. 131-133
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  1. Shakespeare, Sex, and Love (review)
  2. Elizabeth Klett
  3. pp. 134-136
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  1. Shakespeare and Biography (review)
  2. R. A. Foakes
  3. pp. 137-139
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  1. Don Pedro Calderón (review)
  2. Hilaire Kallendorf
  3. pp. 140-142
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  1. Staging Spectatorship in the Plays of Philip Massinger (review)
  2. Julie Sanders
  3. pp. 142-145
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  1. Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)
  2. Melissa D. Aaron
  3. pp. 145-147
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  1. Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)
  2. Jason Lawrence
  3. pp. 148-151
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  1. Euripides: Suppliant Women (review)
  2. Eric Dugdale
  3. pp. 151-154
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  1. Brief Notices
  2. pp. 155-160
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  1. Contributors
  2. pp. 161-163
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