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Browse Book and Journal Content on Project MUSE

  Volume 43, Number 1, Fall 2009

Table of Contents

US Latina/o Theatre From the 60s to the 21st Century: We've Come a Long Way, Baby!

pp. 3-5 | DOI: 10.1353/ltr.2009.0041

Whose Country to Defend?: The Chicano Soldier on Stage

pp. 11-26 | DOI: 10.1353/ltr.2009.0004

Una cubana in the Borderlands: Teresa Dovalpage's La hija de la Llorona

pp. 27-39 | DOI: 10.1353/ltr.2009.0011

José Rivera, Neoliberalism, and the Outside of Politics

pp. 41-56 | DOI: 10.1353/ltr.2009.0018

Performing el cuerpo femenino como menú gastronómico: Stuff de Fusco y Bustamente

pp. 57-70 | DOI: 10.1353/ltr.2009.0025

Phoenix in Guillermo Reyes's Places to Touch Him

pp. 71-86 | DOI: 10.1353/ltr.2009.0031

Fugue, Hip Hop and Soap Opera: Transcultural Connections and Theatrical Experimentation in Twenty-First Century US Latina Playwriting

pp. 87-102 | DOI: 10.1353/ltr.2009.0038

Una máquina teatral: Forma e identidad en el teatro de Migdalia Cruz

pp. 103-120 | DOI: 10.1353/ltr.2009.0001

Prisoners on the Great White Way: Short Eyes and Zoot Suit as the First US Latina/o Plays on Broadway

pp. 121-135 | DOI: 10.1353/ltr.2009.0008

Healing the Body Politic: 1968-2008. A Theatrical Reflection Across Time

pp. 137-142 | DOI: 10.1353/ltr.2009.0015

Living the Politics of teatro in Los Angeles: An Interview with Diane Rodriguez

pp. 143-149 | DOI: 10.1353/ltr.2009.0022

A Pan-American Perspective: An Interview with Carlos Morton

pp. 151-158 | DOI: 10.1353/ltr.2009.0029

On Collaborating: An Interview with José Cruz González

pp. 159-165 | DOI: 10.1353/ltr.2009.0036

Olga Sanchez Finds Humanity in Latinidad

pp. 167-173 | DOI: 10.1353/ltr.2009.0043

Antonio Ocampo-Guzmán: Actor, Director, Professor and Linklater Voice Teacher

pp. 175-180 | DOI: 10.1353/ltr.2009.0006

On Cuban Stages: A Report from the Field

pp. 181-187 | DOI: 10.1353/ltr.2009.0013

Two Stages/Spaces in Puerto Rican Theater: A Report From the Field

pp. 189-194 | DOI: 10.1353/ltr.2009.0020

XXV Aniversario del Festival de Almada: La Fiesta del Teatro

pp. 195-210 | DOI: 10.1353/ltr.2009.0027

Book Reviews

Filosofía del Teatro I. Convivio, experiencia, subjetividad (review)

pp. 211-213 | DOI: 10.1353/ltr.2009.0033

The Conquest on Trial: Carvajal's Complaint of the Indians in the Court of Death (review)

pp. 213-214 | DOI: 10.1353/ltr.2009.0040

Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)

pp. 214-216 | DOI: 10.1353/ltr.2009.0003

Home is Where the (He)art is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater (review)

pp. 216-217 | DOI: 10.1353/ltr.2009.0010

Hotel Juárez: Dramaturgia de feminicidios (review)

pp. 218-219 | DOI: 10.1353/ltr.2009.0017

Saulo Benavente, ensayo biográfico (review)

pp. 219-220 | DOI: 10.1353/ltr.2009.0024