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In this Issue

Table of Contents

  1. Laura Riding's Essentialism and the Absent Muse
  2. Susan M. Schultz
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/arq.1992.0011
  5. restricted access
  1. William Faulkner and the American New Jerusalem
  2. Patrick McHugh
  3. pp. 25-43
  4. DOI: https://doi.org/10.1353/arq.1992.0014
  5. restricted access
  1. The Road Not Taken: From Edwards, Through Chauncy, to Emerson
  2. David Robinson
  3. pp. 45-61
  4. DOI: https://doi.org/10.1353/arq.1992.0017
  5. restricted access
  1. William Gass's The Tunnel: The Work in Progress as Post-Modern Genre
  2. John M. Unsworth
  3. pp. 63-85
  4. DOI: https://doi.org/10.1353/arq.1992.0000
  5. restricted access
  1. Hymns of Sedition: Portraits of the Artist in Contemporary African-American Drama
  2. James C. McKelly
  3. pp. 87-107
  4. DOI: https://doi.org/10.1353/arq.1992.0003
  5. restricted access
  1. Kaleidoscopic Visions: Images of the Self in The House of The Seven Gables
  2. H. L. Gable Jr.
  3. pp. 109-135
  4. DOI: https://doi.org/10.1353/arq.1992.0006
  5. restricted access
  1. New Historicism and Containment: Toward a Post-Cold War Cultural Theory
  2. David Suchoff
  3. pp. 137-161
  4. DOI: https://doi.org/10.1353/arq.1992.0009
  5. restricted access
  1. The Contributors
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/arq.1992.0013
  5. restricted access