1. "The Posture That We Give the Dead": Freneau's "Indian Burying Ground" in Ethnohistorical Context
  2. Phillip Round
  3. pp. 1-30
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  1. Whitman and Genre: The Dialogic in "Song of Myself"
  2. Dana Phillips
  3. pp. 31-58
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  1. "Looking About Me With All My Eyes": Censored Viewing, Carnival, and Louisa May Alcott's Hospital Sketches
  2. Mary Cappello
  3. pp. 59-88
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  1. The Popular, the Populist, and the Populace—Locating Hamlin Garland in the Politics of Culture
  2. Bill Brown
  3. pp. 89-110
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  1. Getting to the Bottom of Pudd'nhead Wilson; or, a Critical Vision Focused (Too Well?) for Irony
  2. Henry B. Wonham
  3. pp. 111-126
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  1. The (Super)Marketplace of Images: Television as Unmediated Mediation in DeLillo's White Noise
  2. John N. Duvall
  3. pp. 127-153
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  1. The Contributors
  2. p. 155
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