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  Volume 60, Number 5, 2004

Table of Contents

Special Issue: Mac Ophuls

Guest Editor: Susan White

Max Ophuls: An Introduction

pp. 1-14

An Open Letter to a German Friend

pp. 15-24

The Making of Max Ophuls' Lola Montès/Lola Montez

pp. 25-42

Off the Deep End Far from Heaven: Social Topography in The Reckless Moment

pp. 43-63

Max Op(h)uls Fashions Femininity

pp. 65-86

Leonora's Place: The Spatial Logic of Caught

pp. 87-95

The Lost Ballad: Max Ophuls' Last Hollywood Project

pp. 96-126

Ophuls and Renoir

pp. 127-148

Nature and Artifice in Max Ophuls' Cinema

pp. 149-158


pp. 159-182

From Stage to Screen: The Impact of the German Theater on Max Ophüls

pp. 183-196

"Verkehrte Welt"—"An Inverted World": From Erich Kästner's Play to Max Ophüls' Short Film, "I'd Rather Have Cod Liver Oil"

pp. 197-209

Emblems of Modernism in the Early Films of Max Ophüls

pp. 211-222

The Contributors

pp. 223-224

Research Areas


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