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Browse Book and Journal Content on Project MUSE

  Volume 54, Number 2, Summer 2011

Table of Contents

Classical German Drama on the British Stage: Schiller's Wallenstein at the Chichester Festival

pp. 121-140 | DOI: 10.1353/mdr.2011.0026

Emblems of Authority in The Admirable Crichton

pp. 141-160 | DOI: 10.1353/mdr.2011.0014

Changing Times: J.O. Francis and the First Welsh National Drama Movement

pp. 161-180 | DOI: 10.1353/mdr.2011.0017

Pozzo's Knook, Beckett's Boys, and Santa Claus

pp. 181-193 | DOI: 10.1353/mdr.2011.0019

The "Sexuation" of Sublimation: A Žižekian Approach to John Mighton's Possible Worlds

pp. 194-215 | DOI: 10.1353/mdr.2011.0021

Hearing Double: Acousmatic Authority and the Rise of the Theatre Director

pp. 216-243 | DOI: 10.1353/mdr.2011.0023


Oskar Panizza and The Love Council: A History of the Scandalous Play on Stage and in Court, with the Complete Text in English and a Biography of the Author (review)

pp. 244-246 | DOI: 10.1353/mdr.2011.0025

Contemporary European Theatre Directors (review)

pp. 246-248 | DOI: 10.1353/mdr.2011.0028

The Provocation of the Senses in Contemporary Theatre (review)

pp. 248-250 | DOI: 10.1353/mdr.2011.0016

No Such Thing as Silence: John Cage's "4'3" (review)

pp. 250-252 | DOI: 10.1353/mdr.2011.0018

The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation (review)

pp. 252-255 | DOI: 10.1353/mdr.2011.0020

Cruising Utopia: The Then and There of Queer Futurity (review)

pp. 255-257 | DOI: 10.1353/mdr.2011.0022

The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)

pp. 257-260 | DOI: 10.1353/mdr.2011.0024

Gypsy: The Art of the Tease (review)

pp. 260-262 | DOI: 10.1353/mdr.2011.0027



pp. 263-264 | DOI: 10.1353/mdr.2011.0015

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