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  Volume 38, Number 3, Summer 2011

Table of Contents

Special Issue 38.3 Visual Literature


The Space Between: A Narrative Approach to Alison Bechdel’s Fun Home

pp. 1-20 | DOI: 10.1353/lit.2011.0025

Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography

pp. 21-44 | DOI: 10.1353/lit.2011.0036

From “Having it all” to “Away from it all”: Post-feminism and Tamara Drewe

pp. 45-65 | DOI: 10.1353/lit.2011.0034

Truth Made Visible: Crises of Cultural Expression in Truth: Red, White, and Black

pp. 66-96 | DOI: 10.1353/lit.2011.0031

Style, Voice, and Authorship in Harvey Pekar’s (Auto) (Bio)Graphical Comics

pp. 97-110 | DOI: 10.1353/lit.2011.0029

From Black & White to Color and Back: What Does It Mean (not) to Use Color?

pp. 111-128 | DOI: 10.1353/lit.2011.0027

Animal Subjects of the Graphic Novel

pp. 129-149 | DOI: 10.1353/lit.2011.0024

Sequential Sketches of Ethnic Identity: Will Eisner’s A Contract with God as Graphic Cycle

pp. 150-167 | DOI: 10.1353/lit.2011.0035

Intertextuality and the Historical Graphic Narrative: Kyle Baker’s Nat Turner and the Styron Controversy

pp. 168-193 | DOI: 10.1353/lit.2011.0033

Jonathan Lethem’s The Fortress of Solitude and Omega: The Unknown, a Comic Book Series

pp. 194-218 | DOI: 10.1353/lit.2011.0028

Book Reviews

Teaching the Graphic Novel (review)

pp. 220-223 | DOI: 10.1353/lit.2011.0026

The Literature of Ireland: Culture and Criticism (review)

pp. 223-226 | DOI: 10.1353/lit.2011.0032

Books Received

Books Received

pp. 228-230 | DOI: 10.1353/lit.2011.0030

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