1. The Space Between: A Narrative Approach to Alison Bechdel’s Fun Home
  2. Robyn Warhol
  3. pp. 1-20
  4. DOI: 10.1353/lit.2011.0025
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  1. Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography
  2. Michael A. Chaney
  3. pp. 21-44
  4. DOI: 10.1353/lit.2011.0036
  5. restricted access View | Download |
  1. From “Having it all” to “Away from it all”: Post-feminism and Tamara Drewe
  2. Elizabeth Ho
  3. pp. 45-65
  4. DOI: 10.1353/lit.2011.0034
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  1. Truth Made Visible: Crises of Cultural Expression in Truth: Red, White, and Black
  2. Jennifer Ryan
  3. pp. 66-96
  4. DOI: 10.1353/lit.2011.0031
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  1. Style, Voice, and Authorship in Harvey Pekar’s (Auto) (Bio)Graphical Comics
  2. Thomas A. Bredehoft
  3. pp. 97-110
  4. DOI: 10.1353/lit.2011.0029
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  1. From Black & White to Color and Back: What Does It Mean (not) to Use Color?
  2. Jan Baetens
  3. pp. 111-128
  4. DOI: 10.1353/lit.2011.0027
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  1. Animal Subjects of the Graphic Novel
  2. Michael A. Chaney
  3. pp. 129-149
  4. DOI: 10.1353/lit.2011.0024
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  1. Sequential Sketches of Ethnic Identity: Will Eisner’s A Contract with God as Graphic Cycle
  2. Derek Parker Royal
  3. pp. 150-167
  4. DOI: 10.1353/lit.2011.0035
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  1. Intertextuality and the Historical Graphic Narrative: Kyle Baker’s Nat Turner and the Styron Controversy
  2. Andrew J. Kunka
  3. pp. 168-193
  4. DOI: 10.1353/lit.2011.0033
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  1. Teaching the Graphic Novel (review)
  2. Michael A. Pemberton
  3. pp. 220-223
  4. DOI: 10.1353/lit.2011.0026
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  1. The Literature of Ireland: Culture and Criticism (review)
  2. Caoilfhionn Ní Bheacháin
  3. pp. 223-226
  4. DOI: 10.1353/lit.2011.0032
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  1. Jonathan Lethem’s The Fortress of Solitude and Omega: The Unknown, a Comic Book Series
  2. David Coughlan
  3. pp. 194-218
  4. DOI: 10.1353/lit.2011.0028
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  1. Books Received
  2. pp. 228-230
  3. DOI: 10.1353/lit.2011.0030
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