1. "Working Days and Hours": Steinbeck's Writing of The Grapes of Wrath
  2. Robert DeMott
  3. pp. 3-15
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  1. Toni Morrison's Ghost: The Beloved is Not Beloved
  2. Elizabeth B. House
  3. pp. 17-26
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  1. Saints and Sinners in the Caribbean: The Case for Islands in the Stream
  2. G. R. Wilson Jr.
  3. pp. 27-40
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  1. "An Imperfect Tale": Interpretive Accountability in Wieland
  2. Toni O'Shaughnessy
  3. pp. 41-54
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  1. Pietro Baglioni's Motives for Murder in "Rappaccini's Daughter"
  2. Charles Chappell
  3. pp. 55-63
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  1. No Woman's Land: Gender in Willa Cather's One of Ours
  2. Maureen Ryan
  3. pp. 65-75
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  1. Jean Toomer's Lost and Dominant: Landscape of the Modern Waste Land
  2. Robert B. Jones
  3. pp. 77-86
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  1. Writing the Civil War: Ambrose Bierce's "Jupiter Doke, Brigadier-General"
  2. G. Thomas Couser
  3. pp. 87-98
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  1. Hawthorne's Drowne: Felix Culpa Exculpated
  2. Michael Wutz
  3. pp. 99-109
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  1. Hemingway's Notion of "Grace"
  2. George Monteiro
  3. pp. 111-112
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  1. A Cloak of Grace: Contradictions in "A Good Man is Hard to Find"
  2. Kathleen G. Ochshorn
  3. pp. 113-117
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  1. Sherwood Anderson and Paul Gauguin: A Forgotten Review
  2. Stephen Enniss
  3. pp. 118-121
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  1. Sea-Brothers: The Tradition of American Sea Fiction from Moby-Dick to the Present by Bert Bender (review)
  2. Roger B. Stein
  3. pp. 122-123
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  1. A Storyteller and a City: Sherwood Anderson's Chicago by Kenny J. Williams (review)
  2. David D. Anderson
  3. pp. 123-124
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  1. Fiction, Film, and Faulkner: The Art of Adaptation by Gene D. Phillips (review)
  2. Charles M. Oliver
  3. pp. 124-125
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  1. Willa Cather and France: In Search of the Lost Language by Robert J. Nelson (review)
  2. John J. Murphy
  3. pp. 125-127
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