1. On Reviewing
  2. Bernard Shaw
  3. pp. 4-8
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  1. From Stage Play to Hybrid: Shaw’s Three Editions of Pygmalion
  2. Derek McGovern
  3. pp. 9-30
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  1. You Never Can Tell: Shaw’s Shakespearean Comedy
  2. Tony J. Stafford
  3. pp. 31-45
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  1. Widowers’ Houses: Shaw’s Spin on Das Rheingold
  2. Hisashi Morikawa
  3. pp. 46-58
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  1. The Devil on the Road to Damascus: Saint Paul in The Devil’s Disciple
  2. Christopher Gray
  3. pp. 59-70
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  1. The Bulgarians of Bernard Shaw’s Arms and the Man
  2. Stoyan Tchaprazov
  3. pp. 71-88
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  1. Shaw’s Xenophilous New Woman: Raina Petkoff as Mistress of Her Domain
  2. Katharyn Stober
  3. pp. 89-101
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  1. Whose Life Is It, Anyway?: Shaw, The Doctor’s Dilemma and Modern Tragedy
  2. Bert Cardullo
  3. pp. 102-117
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  1. Bernard Shaw as Shakespeare Critic
  2. Robert B. Pierce
  3. pp. 118-132
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  1. Shaw Among the Modernists
  2. Lawrence Switzky
  3. pp. 133-148
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  1. Don Roberto in Bernard Shaw’s Plays
  2. Rodelle Weintraub
  3. pp. 149-155
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  1. Noël Coward and the Avuncular Shaw
  2. Stanley Weintraub
  3. pp. 156-168
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  1. Sophoclean Shaw with Solos
  2. Bernard F. Dukore
  3. pp. 169-178
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  1. How to Win an Election
  2. Bernard F. Dukore
  3. pp. 179-191
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  1. “I Often Quote Myself” (And Others): Modified Quotations in the Plays of Bernard Shaw
  2. Gustavo A. Rodríguez Martín
  3. pp. 192-206
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  1. Digitizing Shaw: The Magic of High-Speed Interactive Platforms
  2. Kay Li
  3. pp. 207-223
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  1. Making War on War
  2. Lagretta Tallent Lenker
  3. pp. 224-226
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  1. The Old Guy and the Champ
  2. Stanley Weintraub
  3. pp. 226-229
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  1. Forty Years of the Bernard Shaw Society of Japan
  2. Hisashi Morikawa
  3. pp. 230-233
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  1. “Shaw’s Corner”: As a Theater
  2. Richard Farr Dietrich
  3. pp. 234-252
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  1. A Continuing Checklist of Shaviana
  2. John R. Pfeiffer
  3. pp. 253-293
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  1. Notices
  2. pp. 297-299
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  1. International Shaw Society
  2. pp. 300-302
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  1. Introduction
  2. Michel W. Pharand
  3. pp. 1-3
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  1. Contributors
  2. pp. 294-296
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