restricted access   Volume 26, Number 4, Winter 2002

Table of Contents

From: Computer Music Journal

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About This Issue

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pp. 6-12

Products of Interest

pp. 113-121

Languages and Environments for Computer Music

Dartmouth Symposium on the Future of Computer Music Software: A Panel Discussion

pp. 13-30

Max at Seventeen

pp. 31-43

How I Learned to Love A Program That Does Nothing

pp. 44-51

The CARL System: Premises, History, and Fate

pp. 52-60

Rethinking the Computer Music Language: SuperCollider

pp. 61-68

Computer Music Languages, Kyma, and the Future

pp. 69-82


Audible Interfaces Festival (review)

pp. 83-85


Composing Music with Computers (review)

pp. 85-87

Tonal Pitch Space (review)

pp. 87-90

Musical Imagery (review)

pp. 90-92

Virtual Music (review)

pp. 92-95


The Terrain of Possibilities (review)

pp. 95-96

CCMIX Paris: Xenakis, UPIC, Continuum (review)

pp. 96-99

Oops! I did it again!

pp. 99-100

Future Flute (review)

pp. 100-102

Southern Cones: Music Out of Africa and South America (review)

pp. 102-104

Electro-acoustic Music From The Netherlands 2000 (review)

pp. 104-105

Bright Air/Brilliant Fire (review)

pp. 105-106

Shadow Gazing (review)

pp. 106-108


PulsarGenerator Synthesis Software for Macintosh OS (review)

pp. 108-109

Ableton Live Sequencing Instrument, Version 1.5 (review)

pp. 109-112


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