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  Volume 63, Number 2, May 2011

Table of Contents

Editorial Comment

pp. 1-2
|

Articles

Acting Black, 1824: Charles Mathews's Trip to America

pp. 163-189
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Furry Cartography: Performing Species

pp. 191-208
|

Performance as Pathology: The Case of Munchausen's Syndrome and Performative Illness

pp. 209-224
|

Site-Specific Theatre and Political Engagement across Space and Time: The Psychogeographic Mapping of British Petroleum in Platform's And While London Burns

pp. 225-243
|

Performance Reviews

Berlin Alexanderplatz (review)

pp. 245-248
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A Streetcar Named Desire (review)

pp. 248-250
|

Krapp's Last Tape (review)

pp. 250-253
|

Mr Vertigo (review)

pp. 253-255
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How Can You Stay in the House All Day and not Go Anywhere? (review)

pp. 255-257
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Waiting for Godot (review)

pp. 257-260
|

Oberammergau Passion Play 2010 (review)

pp. 260-262
|

Passion Play (review)

pp. 262-264
|

The Tempest (review)

pp. 264-267
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Antony and Cleopatra (review)

pp. 267-269
|

Spring Awakening: A Sin of Omission (review)

pp. 269-270
|

The Master Butchers Singing Club (review)

pp. 270-272
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Major Barbara, and: The Circle (review)

pp. 272-276
|

The Howling Miller (review)

pp. 276-279
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By Hands Unknown (review)

pp. 279-281
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Book Reviews

America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)

pp. 283-285
|

Performance and the City (review)

pp. 285-286
|

Intra-Cultural Theater: Performing the Life of Black Migrants to Italy: Teatro dele Albe and the Performance of Ethnic Diversity acros Politics, News, Public Discourse, and Art (review)

pp. 286-288
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Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)

pp. 288-289
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Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)

pp. 289-290
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Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working it Out (review)

pp. 290-291
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Worlding Dance (review)

pp. 292-293
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How to Do Things with Dance: Performing Change in Postwar America (review)

pp. 293-294
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Victorian Women and the Theatre of Trance: Mediums, Spiritualists, and Mesmerists in Performance (review)

pp. 294-296
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Memory in Play: From Aeschylus to Sam Shepard, and: Technologies of Memory in the Arts (review)

pp. 296-297
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Homo Americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities (review)

pp. 297-299
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Performing Race and Torture on the Early Modern Stage (review)

pp. 299-300
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The Tainted Muse: Prejudice and Presumption in Shakespeare and His Time (review)

pp. 300-302
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Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2011

pp. 305-309
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Research Areas

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