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  Volume 40.2 (Fall 2010)

Table of Contents

Visions of Science and Technology, Part 2

pp. 4-5
|

Lost in Space: Technology and Turbulence in Futuristic Cinema of the 1950s

pp. 6-26
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I, Clone: How Cloning Is (Mis)Portrayed in Contemporary Cinema

pp. 27-44
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Surréalisme Sous-l'Eau: Science and Surrealism in the Early Films and Writings of Jean Painlevé

pp. 45-65
|

Science Fiction as "True-Life Adventure": Disney and the Case of 20,000 Leagues Under the Sea

pp. 66-79
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A Natural and Artificial Homeland: East German Science-Fiction Film Responds to Kubrick and Tarkovsky

pp. 80-101
|

Book Reviews

Film Nation: Hollywood Looks at U.S. History (review)

pp. 102-104
|

The Great War on the Small Screen (review)

pp. 104-106
|

Ireland's Theatre on Film: Style, Stories and the National Stage on Screen (review)

pp. 106-109
|

Hollywood's War with Poland, 1939-1945 (review)

pp. 109-111
|

The Religious Film: Christianity and the Hagiopic, and: Christians in the Movies (review)

pp. 111-114
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Dreams of Difference, Songs of the Same: The Musical Moment in Film (review)

pp. 114-117
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Soviet Cinema: Politics and Persuasion under Stalin (review)

pp. 117-119
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Films that Work: Industrial Film and Productivity of Media (review)

pp. 119-121
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The New Yorker Theater and Other Scenes from a Life at the Movies (review)

pp. 122-123
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Film Reviews

Frost / Nixon (review)

pp. 124-125
|

They Killed Sister Dorothy (review)

pp. 126-127
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Twisted: A Balloonamentary (review)

pp. 127-129
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The Unseen Alistair Cooke (review)

pp. 129-131
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A Class Apart (review)

pp. 131-134
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The Greatest Silence: Rape in the Congo (review)

pp. 134-136
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The World of Peter Sellers (review)

pp. 136-138
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The Axe of Wandsbek (Das Beil von Wandsbek) (review)

pp. 138-140
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Malls R Us (review)

pp. 141-143
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Taken for a Ride (review)

pp. 142-144
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A Massacre Foretold (review)

pp. 144-146
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Oswald's Ghost (review)

pp. 146-147
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Agent Orange: A Personal Requiem (review)

pp. 147-149
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Research Areas

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