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  Volume 40.2 (Fall 2010)

Table of Contents

Visions of Science and Technology, Part 2

pp. 4-5

Lost in Space: Technology and Turbulence in Futuristic Cinema of the 1950s

pp. 6-26

I, Clone: How Cloning Is (Mis)Portrayed in Contemporary Cinema

pp. 27-44

Surréalisme Sous-l'Eau: Science and Surrealism in the Early Films and Writings of Jean Painlevé

pp. 45-65

Science Fiction as "True-Life Adventure": Disney and the Case of 20,000 Leagues Under the Sea

pp. 66-79

A Natural and Artificial Homeland: East German Science-Fiction Film Responds to Kubrick and Tarkovsky

pp. 80-101

Book Reviews

Film Nation: Hollywood Looks at U.S. History (review)

pp. 102-104

The Great War on the Small Screen (review)

pp. 104-106

Ireland's Theatre on Film: Style, Stories and the National Stage on Screen (review)

pp. 106-109

Hollywood's War with Poland, 1939-1945 (review)

pp. 109-111

The Religious Film: Christianity and the Hagiopic, and: Christians in the Movies (review)

pp. 111-114

Dreams of Difference, Songs of the Same: The Musical Moment in Film (review)

pp. 114-117

Soviet Cinema: Politics and Persuasion under Stalin (review)

pp. 117-119

Films that Work: Industrial Film and Productivity of Media (review)

pp. 119-121

The New Yorker Theater and Other Scenes from a Life at the Movies (review)

pp. 122-123

Film Reviews

Frost / Nixon (review)

pp. 124-125

They Killed Sister Dorothy (review)

pp. 126-127

Twisted: A Balloonamentary (review)

pp. 127-129

The Unseen Alistair Cooke (review)

pp. 129-131

A Class Apart (review)

pp. 131-134

The Greatest Silence: Rape in the Congo (review)

pp. 134-136

The World of Peter Sellers (review)

pp. 136-138

The Axe of Wandsbek (Das Beil von Wandsbek) (review)

pp. 138-140

Malls R Us (review)

pp. 141-143

Taken for a Ride (review)

pp. 142-144

A Massacre Foretold (review)

pp. 144-146

Oswald's Ghost (review)

pp. 146-147

Agent Orange: A Personal Requiem (review)

pp. 147-149

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