1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: 10.1353/amu.2011.0024
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  1. Gamelan Performance Outside Indonesia “Setting Sail”: Babar Layar and Notions of “Bi-musicality”
  2. Maria Mendonça
  3. pp. 56-87
  4. DOI: 10.1353/amu.2011.0019
  5. restricted access View | Download |
  1. In Search of the Historical Development of Double-Reed Pipe Melodies in Japanese Tōgaku: Early Hypotheses and New Perspectives
  2. Kwok-Wai Ng
  3. pp. 88-111
  4. DOI: 10.1353/amu.2011.0021
  5. restricted access View | Download |
  1. Music and Masculinities in Late Ming China
  2. Joseph S. C. Lam
  3. pp. 112-134
  4. DOI: 10.1353/amu.2011.0022
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  1. Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java (review)
  2. Benjamin Brinner
  3. pp. 135-139
  4. DOI: 10.1353/amu.2011.0023
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  1. Turkestan chinois. Le Muqam des Dolan. Musique des Ouïgours du désert de Taklamakan (review)
  2. Nathan Light
  3. pp. 140-143
  4. DOI: 10.1353/amu.2011.0014
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  1. A Song of Dawn: The Jerusalem Sephardi Baqqashot at the Har Tzyion Synagogue (review)
  2. Mark Kligman
  3. pp. 146-149
  4. DOI: 10.1353/amu.2011.0018
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  1. About the Contributors
  2. pp. 150-151
  3. DOI: 10.1353/amu.2011.0020
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