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Table of Contents

  1. Asian Shakespeare 2.0
  2. Alexander C.Y. Huang
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/atj.2011.0002
  5. restricted access
  1. Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)
  2. Kathy Foley
  3. pp. 7-43
  4. DOI: https://doi.org/10.1353/atj.2011.0006
  5. restricted access
  1. Toward a Poetic Minimalism of Violence: On Tang Shu-wing's Titus Andronicus 2.0
  2. Howard Y. F. Choy
  3. pp. 44-66
  4. DOI: https://doi.org/10.1353/atj.2011.0009
  5. restricted access
  1. "Ancestral Shades": The Arti Foundation and the Practice of Pelestarian in Contemporary Bali
  2. Brett Hough
  3. pp. 67-103
  4. DOI: https://doi.org/10.1353/atj.2011.0012
  5. restricted access
  1. Shamanism in Korean Hamlets since 1990: Exorcising Han
  2. Lee Hyon-u
  3. pp. 104-128
  4. DOI: https://doi.org/10.1353/atj.2011.0015
  5. restricted access
  1. Otelo, Intercultural Spectatorship, and Ocular Proof
  2. Judy Celine Ick
  3. pp. 129-148
  4. DOI: https://doi.org/10.1353/atj.2011.0018
  5. restricted access
  1. Cultural Imperialism and Intercultural Encounter in Merchant Ivory's Shakespeare Wallah
  2. Dan Venning
  3. pp. 149-167
  4. DOI: https://doi.org/10.1353/atj.2011.0000
  5. restricted access
  1. Political Theatre: The Rise and Fall of Rome and The Sword of Freedom, Two Translations of Julius Caesar in Meiji Japan by Kawashima Keizō and Tsubouchi Shōyō
  2. Aragorn Quinn
  3. pp. 168-183
  4. DOI: https://doi.org/10.1353/atj.2011.0004
  5. restricted access
  1. King Lear in Beijing and Hong Kong
  2. Daniel S. P. Yang
  3. pp. 184-198
  4. DOI: https://doi.org/10.1353/atj.2011.0008
  5. restricted access
  1. Another Midsummer Night's Dream in Ho Chi Minh City
  2. Khai Thu Nguyen
  3. pp. 199-221
  4. DOI: https://doi.org/10.1353/atj.2011.0011
  5. restricted access
  1. A Bangzi Merchant of Venice in Taipei: Yue/Shu (Bond)
  2. Ching-Hsi Perng
  3. pp. 222-233
  4. DOI: https://doi.org/10.1353/atj.2011.0014
  5. restricted access
  1. Ku Na'uka's Hamlet in Tokyo: An Interview with Miyagi Satoshi
  2. Mika Eglinton
  3. pp. 234-243
  4. DOI: https://doi.org/10.1353/atj.2011.0017
  5. restricted access
  1. Global Shakespeares and Shakespeare Performance in Asia: Open-Access Digital Video Archives
  2. Alexander C. Y. Huang
  3. pp. 244-250
  4. DOI: https://doi.org/10.1353/atj.2011.0021
  5. restricted access
  1. Imagining China: The View from Europe, 1550-1700 (review)
  2. Kathy Foley
  3. pp. 251-256
  4. DOI: https://doi.org/10.1353/atj.2011.0003
  5. restricted access
  1. Tempesutu arashi nochi hare (The Tempest: Sunshine after the Storm) (review)
  2. Bradford Clark
  3. pp. 257-261
  4. DOI: https://doi.org/10.1353/atj.2011.0007
  5. restricted access
  1. Yi Sang Counts to Thirteen (review)
  2. Kim Yoon Young
  3. pp. 261-266
  4. DOI: https://doi.org/10.1353/atj.2011.0010
  5. restricted access
  1. Shakespeare in Hollywood, Asia, and Cyberspace (review)
  2. Rose Elfman
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/atj.2011.0013
  5. restricted access
  1. Shakespeare in Asia: Contemporary Performance (review)
  2. Kathy Foley
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/atj.2011.0016
  5. restricted access
  1. Cambodian Dance: Celebration of the Gods (review)
  2. Kathy Foley
  3. pp. 272-275
  4. DOI: https://doi.org/10.1353/atj.2011.0019
  5. restricted access
  1. Danjūrō's Girls: Women on the Kabuki Stage (review)
  2. Julie A. Iezzi
  3. pp. 275-277
  4. DOI: https://doi.org/10.1353/atj.2011.0001
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. p. iii
  4. DOI: https://doi.org/10.1353/atj.2011.0020
  5. restricted access
  1. Color Insert
  3. pp. Color Insert 1-5
  4. DOI: https://doi.org/10.1353/atj.2011.0005
  5. restricted access