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Table of Contents

  1. Alliteration as Mantra in the Bernardian Canso
  2. Patrick Michael Thomas
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/ten.1995.0005
  5. restricted access
  1. Deceit, Desire, Distance, and Polysemy in Flamenca
  2. Constance L. Dickey
  3. pp. 10-37
  4. DOI: https://doi.org/10.1353/ten.1995.0008
  5. restricted access
  1. The Poetics of (S) Cat-Ology in Guilhem VII, Count of Poitiers, IX Duke of Aquitaine's Canso V.
  2. Caroline Jewers
  3. pp. 38-63
  4. DOI: https://doi.org/10.1353/ten.1995.0011
  5. restricted access
  1. Occitan Literature Today: Cultural Identity and the Sense of the Past
  2. William Calin
  3. pp. 64-77
  4. DOI: https://doi.org/10.1353/ten.1995.0013
  5. restricted access
  1. Lyrique romane médiévale: la tradition des chansonniers (review)
  2. Chantal Phan
  3. pp. 78-82
  4. DOI: https://doi.org/10.1353/ten.1995.0015
  5. restricted access
  1. Syntaxe de l'ancien occitan (review)
  2. Peter T. Ricketts
  3. pp. 83-86
  4. DOI: https://doi.org/10.1353/ten.1995.0000
  5. restricted access
  1. Max Rouquette: Actes du Colloque International (Montpellier, Espace République, 8 octobre 1993) (review)
  2. William D. Paden
  3. pp. 86-92
  4. DOI: https://doi.org/10.1353/ten.1995.0003
  5. restricted access
  1. Bibliography of Occitan Linguistics for 1994
  2. Kathryn Klingebiel
  3. pp. 93-122
  4. DOI: https://doi.org/10.1353/ten.1995.0007
  5. restricted access
  1. Announcement
  3. p. 123
  4. DOI: https://doi.org/10.1353/ten.1995.0010
  5. restricted access