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Table of Contents

  1. Greek Drama in the First Six Decades of the Twentieth Century: Tradition, Identity, Migration
  2. Amanda Wrigley
  3. pp. 371-384
  4. DOI: https://doi.org/10.1353/cdr.2010.0020
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  1. Oedipus, Shmedipus: Ancient Greek Drama on the Modern Yiddish Stage
  2. Debra Caplan
  3. pp. 405-422
  4. DOI: https://doi.org/10.1353/cdr.2010.0011
  5. restricted access
  1. "The Kingdom of Heaven within Us": Inner (World) Peace in Gilbert Murray's Trojan Women
  2. Simon Perris
  3. pp. 423-440
  4. DOI: https://doi.org/10.1353/cdr.2010.0013
  5. restricted access
  1. Touring the Ivies with Iphigenia, 1915
  2. Niall W. Slater
  3. pp. 441-455
  4. DOI: https://doi.org/10.1353/cdr.2010.0015
  5. restricted access
  1. Is Mr. Euripides a Communist? The Federal Theatre Project's 1938 Trojan Incident
  2. Robert Davis
  3. pp. 457-476
  4. DOI: https://doi.org/10.1353/cdr.2010.0017
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  1. Oedipus and Afrikaans Theater
  2. Betine Van Zyl Smit
  3. pp. 477-493
  4. DOI: https://doi.org/10.1353/cdr.2010.0019
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  1. Oedipus, Suez, and Hungary: T. S. Eliot's Tradition and The Elder Statesman
  2. Michael Simpson
  3. pp. 509-528
  4. DOI: https://doi.org/10.1353/cdr.2010.0025
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  1. Alberto Savinio's Alcesti di Samuele in the Aftermath of the Second World War
  2. Giulia Torello
  3. pp. 533-535
  4. DOI: https://doi.org/10.1353/cdr.2010.0014
  5. restricted access
  1. Politics, War, and Adaptation: Ewan MacColl's Operation Olive Branch, 1947
  2. Claire Warden
  3. pp. 536-538
  4. DOI: https://doi.org/10.1353/cdr.2010.0016
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  1. Aristophanes and Douglas Young
  2. C. W. Marshall
  3. pp. 539-544
  4. DOI: https://doi.org/10.1353/cdr.2010.0018
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  1. Afterword
  2. Lorna Hardwick
  3. pp. 545-548
  4. DOI: https://doi.org/10.1353/cdr.2010.0021
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  1. Contributors
  2. pp. 549-552
  3. DOI: https://doi.org/10.1353/cdr.2010.0024
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