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  Volume 28, Number 1-2, Spring/Fall 2008

Table of Contents

From: William Carlos Williams Review

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A New Mimesis: Unbinding Textual Possibilities in William Carlos Williams’s “Composition”

pp. 1-15 | DOI: 10.1353/wcw.2011.0002

“Allow Intelligence to Survive”: Life’s Language in Williams and Tzara

pp. 17-33 | DOI: 10.1353/wcw.2011.0005

“This Rhetoric Is Real”: William Carlos Williams’s Recalibration of Language and Things

pp. 35-53 | DOI: 10.1353/wcw.2011.0007

The Poet’s Place: William Carlos Williams and the Production of an American Avant-Garde

pp. 55-77 | DOI: 10.1353/wcw.2011.0009

“Betwixt and Between”: Duchamp and Williams on Words and Things

pp. 79-100 | DOI: 10.1353/wcw.2011.0011

The Dadaist Prose of Williams and Cummings: A Novelette and [No Title]

pp. 101-115 | DOI: 10.1353/wcw.2011.0013

Modern Glass: How Williams Reframed Duchamp’s Window

pp. 117-139 | DOI: 10.1353/wcw.2011.0001

The “Elsie” Drawings

pp. 141-155 | DOI: 10.1353/wcw.2011.0004

Book Reviews

From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century (review)

pp. 157-162 | DOI: 10.1353/wcw.2011.0006

Stevens, Williams, Crane and the Motive for Metaphor (review)

pp. 162-168 | DOI: 10.1353/wcw.2011.0008

Hart Crane: After His Lights (review)

pp. 168-171 | DOI: 10.1353/wcw.2011.0010

Mama Dada: Gertrude Stein’s Avant-Garde Theatre (review)

pp. 172-174 | DOI: 10.1353/wcw.2011.0012

Marcel Duchamp (review)

pp. 174-177 | DOI: 10.1353/wcw.2011.0000

The Art of Twentieth-Century American Poetry: Modernism and After (review)

pp. 177-179 | DOI: 10.1353/wcw.2011.0003

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