1. A New Mimesis: Unbinding Textual Possibilities in William Carlos Williams’s “Composition”
  2. Jon Chatlos
  3. pp. 1-15
  4. DOI: 10.1353/wcw.2011.0002
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  1. “Allow Intelligence to Survive”: Life’s Language in Williams and Tzara
  2. Paul Jaussen
  3. pp. 17-33
  4. DOI: 10.1353/wcw.2011.0005
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  1. “This Rhetoric Is Real”: William Carlos Williams’s Recalibration of Language and Things
  2. Emily Lambeth-Climaco
  3. pp. 35-53
  4. DOI: 10.1353/wcw.2011.0007
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  1. The Poet’s Place: William Carlos Williams and the Production of an American Avant-Garde
  2. William Q. Malcuit
  3. pp. 55-77
  4. DOI: 10.1353/wcw.2011.0009
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  1. “Betwixt and Between”: Duchamp and Williams on Words and Things
  2. Jessica Prinz
  3. pp. 79-100
  4. DOI: 10.1353/wcw.2011.0011
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  1. The Dadaist Prose of Williams and Cummings: A Novelette and [No Title]
  2. Antonio Ruiz
  3. pp. 101-115
  4. DOI: 10.1353/wcw.2011.0013
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  1. Modern Glass: How Williams Reframed Duchamp’s Window
  2. Lisa Siraganian
  3. pp. 117-139
  4. DOI: 10.1353/wcw.2011.0001
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  1. The “Elsie” Drawings
  2. Joshua Pelletier
  3. pp. 141-155
  4. DOI: 10.1353/wcw.2011.0004
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  1. From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century (review)
  2. Michael Golston
  3. pp. 157-162
  4. DOI: 10.1353/wcw.2011.0006
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  1. Stevens, Williams, Crane and the Motive for Metaphor (review)
  2. Meryl Altman
  3. pp. 162-168
  4. DOI: 10.1353/wcw.2011.0008
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  1. Hart Crane: After His Lights (review)
  2. Stephen Burt
  3. pp. 168-171
  4. DOI: 10.1353/wcw.2011.0010
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  1. Mama Dada: Gertrude Stein’s Avant-Garde Theatre (review)
  2. Jim Fitzmorris
  3. pp. 172-174
  4. DOI: 10.1353/wcw.2011.0012
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  1. Marcel Duchamp (review)
  2. Jake Kennedy
  3. pp. 174-177
  4. DOI: 10.1353/wcw.2011.0000
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  1. The Art of Twentieth-Century American Poetry: Modernism and After (review)
  2. Ian D. Copestake
  3. pp. 177-179
  4. DOI: 10.1353/wcw.2011.0003
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