1. Why Do So Few Blacks Study Creative Writing?, and: The Supremes, and: Muddy Waters & The Chicago Blues
  2. Cornelius Eady
  3. pp. 1-3
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  1. Dat Boy
  2. Anita Poole
  3. p. 4
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  1. If You're Hungry, that's a Good Sign
  2. Doyle Wesley Walls
  3. pp. 5-6
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  1. Nothing to Eat
  2. Bonnie Buhrow
  3. p. 7
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  1. In the Sad World
  2. Bob Vance
  3. p. 9
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  1. Untitled
  2. Anthony Tripi
  3. p. 9
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  1. from Dead City
  2. Otavio Afonso, Tom Page
  3. pp. 10-12
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  1. Interview/Vietnam/1987 Napalm Woman/Looking at a Photo of Herself/1967
  2. Lynn Shoemaker
  3. pp. 13-14
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  1. Mama's boy, and: It's all over now but the drinking
  2. Marcus Cafagna
  3. pp. 15-17
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  1. Current Events
  2. Jay Ladin
  3. pp. 18-19
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  1. Three Times Yes
  2. Georgia Scott
  3. p. 20
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  1. The News, and: Should I Get Involved?
  2. Kay Murphy
  3. pp. 21-22
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  1. Over Coffee
  2. Debra Kaufman
  3. pp. 23-24
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  1. X-Rays, and: X-Rays II, and: October
  2. Nan Hannon
  3. pp. 25-27
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  1. After They Let You Walk With Me Three Hours in the Rain If We Promised to Stay on Hospital Grounds
  2. Pat Schneider
  3. p. 28
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  1. The Stinkbug
  2. Greg Kuzma
  3. p. 29
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  1. Two Pints and a Prayer, and: Anyone's Life
  2. James Finnegan
  3. pp. 30-31
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  1. Van Gogh Among the Poor On The Subject of His Art (deferred)
  2. Dorothy Barresi
  3. pp. 32-33
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  1. Chief Never Wearying
  2. Chris Bursk
  3. pp. 34-42
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  1. Champion of the World
  2. Wayne D. Johnson
  3. pp. 43-55
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  1. Jack Kerouac's Seventy-Ninth Birthday
  2. Nora Roberts Wainer
  3. pp. 56-62
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  1. Poseidon Say
  2. David Morse
  3. pp. 63-68
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  1. "Sexy Greedy Is the Late Eighties": Power Systems in Amis's Money and Churchill's Serious Money
  2. Laura L. Doan
  3. pp. 69-80
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  1. The Fiction of a Finished World: Utopia and Ideology in Morris's News from Nowhere
  2. James M. Buzard
  3. pp. 81-98
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  1. Love and Terror: The Political Fiction of William Herrick
  2. Paul A. Lacey
  3. pp. 99-117
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  1. Power, Meaning and Persuasion in Freud's "The Wolf-Man": A Response to Stanley Fish
  2. Chesca Long-Innes
  3. pp. 118-134
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  1. Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies (review)
  2. Michael Bernard-Donals
  3. pp. 135-140
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  1. Consuming Fiction, and: The Rise of the Woman Novelist: From Aphra Behn to Jane Austen (review)
  2. Ruth Y. Jenkins
  3. pp. 140-143
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  1. Sexuality in the Field of Vision, and: "Am I That Name?": Feminism and the Category of "Women" in History (review)
  2. Adrienne Auslander Munich
  3. pp. 143-145
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  1. Fear of Falling: The Inner Life of the Middle Class (review)
  2. Thomas Larson
  3. pp. 146-148
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  1. The Niobe Poems, and: Dreams by No One's Daughter (review)
  2. Nanora Sweet
  3. pp. 148-151
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  1. Skinny Eighth Avenue (review)
  2. Thomas Fink
  3. pp. 152-154
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  1. Abandoned House, and: The River of Heaven (review)
  2. Thomas Fink
  3. pp. 155-159
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  1. Demand the Impossible: Science Fiction and the Utopian Imagination (review)
  2. Richard Daniels
  3. pp. 159-160
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  1. The Rise of Socialist Fiction, 1880-1914 (review)
  2. Rita Kranidis
  3. pp. 160-163
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  1. Art for the Masses: A Radical Magazine and its Graphics, 1911-1917 (review)
  2. Harvey Teres
  3. pp. 163-166
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  1. Radical By Design: The Life and Style of Elizabeth Hawes (review)
  2. Paul Buhle
  3. pp. 166-167
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  1. The Right to Be Lazy (review)
  2. Paul Buhle
  3. p. 167
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  1. Salman Rushdie and the Third World: Myths of the Nation (review)
  2. Michael Sprinker
  3. pp. 167-170
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  1. Questing Fictions: Latin America's Family Romance (review)
  2. Roman de la Campa
  3. pp. 170-175
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  1. Wartime: Understanding and Behavior in the Second World War, and: War and Cinema: The Logistics of Perception (review)
  2. Michael W. Messmer
  3. pp. 175-181
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  1. Althusser: The Detour of Theory (review)
  2. Tom Lewis
  3. pp. 181-186
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  1. Contributors
  2. pp. 187-189
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