1. ArtScience: Integrative Collaboration to Create a Sustainable Future
  2. Bob Root-Bernstein, Todd Siler, Adam Brown, Kenneth Snelson
  3. p. 192
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  1. The Art of Finance: An Artist Uses Financial Economics as Inspiration
  2. Christophe Schinckus
  3. pp. 195-198
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  1. Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age
  2. Sarah Kanouse
  3. pp. 200-206
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  1. Live Coding of Consequence
  2. Nick Collins
  3. pp. 207-211
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  1. Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives
  2. Neil C.M. Brown, Timothy S. Barker, Dennis Del Favero
  3. pp. 212-219
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  1. Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination and Eros among Cells
  2. Scott F. Gilbert, Sabine Brauckmann
  3. pp. 221-227
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  1. Color Plates
  2. pp. 229-232
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  1. The Implicit Body as Performance: Analyzing Interactive Art
  2. Nathaniel Stern
  3. pp. 233-238
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  1. Arts, Humanities and Complex Networks
  2. Maximilian Schich, Isabel Meirelles, Ernest Edmonds
  3. p. 239
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  1. Networks of Photos, Landmarks, and People
  2. David Crandall, Noah Snavely
  3. pp. 240-243
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  1. The Social Network of Dante's Inferno
  2. Amedeo Cappelli, Michele Coscia, Fosca Giannotti, Dino Pedreschi, Salvo Rinzivillo
  3. pp. 246-247
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  1. Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis
  2. Barbara Mirel
  3. pp. 248-249
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  1. Narcotic of the Narrative
  2. Ward Shelley
  3. pp. 252-255
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  1. Net-Working with Maciunas
  2. Astrit Schmidt-Burkhardt
  3. pp. 256-257
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  1. Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks!
  2. Martin Warnke, Carmen Wedemeyer
  3. pp. 258-259
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  1. When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks
  2. John Bell, Jon Ippolito
  3. pp. 260-261
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  1. Model Ideas: From Stem Cell Simulation to Floating Art Work
  2. Jane Prophet
  3. pp. 262-263
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  1. Cybernetic Bacteria 2.0
  2. Anna Dumitriu, Blay Whitby
  3. pp. 264-265
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  1. The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object
  2. Sara Angel
  3. pp. 266-267
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  1. Digital Apollo: Human and Machine in Spaceflight (review)
  2. Maureen Nappi
  3. pp. 269-270
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  1. Premediation: Affect and Mediality after 9/11 (review)
  2. Jussi Parikka
  3. pp. 270-271
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  1. Bring on the Books for Everybody: How Literary Culture Became Popular Culture (review)
  2. Jan Baetens
  3. pp. 271-273
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  1. How to Catch a Robot Rat: When Biology Inspires Innovation (review)
  2. Rob Harle
  3. p. 273
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  1. Photo-texts: Contemporary French Writing of the Photographic Image (review)
  2. Jan Baetens
  3. pp. 273-274
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  1. Blog Theory: Feedback and Capture in the Circuits of Drive (review)
  2. Jussi Parikka
  3. pp. 274-275
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  1. Dara Birnbaum: Technology/Transformation: Wonder Woman (review)
  2. Jan Baetens
  3. pp. 275-276
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  1. Mapping Intermediality in Performance (review)
  2. Dene Grigar
  3. pp. 276-277
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  1. The Object Reader (review)
  2. Martha Blassnigg
  3. pp. 279-280
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  1. Transactions
  2. Ernest Edmonds
  3. p. 281
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  1. A Unified View of Models
  2. Luis O. Arata
  3. pp. 282-283
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  1. Spectacle of the Masses: Characteristics of the Masses in MIOON's Works
  2. Moonsun Choi, Joonsung Yoon
  3. pp. 284-285
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  1. Contingent Rule: Information Aesthetic, Performance and Hypermediacy
  2. Eung Suk Kim, Joonsung Yoon
  3. pp. 286-287
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  1. A Grin without a Cat: The Faciality of Electronic Art
  2. Yonggeun Kim, Joonsung Yoon
  3. pp. 288-289
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  1. Social Media as a New Public Sphere
  2. Tatiana Mazali
  3. pp. 290-291
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  1. A Taste for the Beautiful
  2. Hollis Taylor
  3. pp. 292-293
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  1. Leonardo Network News
  2. p. 294
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  1. Designing Things: A Critical Introduction to the Culture of Objects (review)
  2. John Vines
  3. pp. 277-279
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