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  Volume 44, Number 3, June 2011

Table of Contents


ArtScience: Integrative Collaboration to Create a Sustainable Future

p. 192

Articles and Notes

The Art of Finance: An Artist Uses Financial Economics as Inspiration

pp. 195-198

Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age

pp. 200-206

Live Coding of Consequence

pp. 207-211

Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives

pp. 212-219

Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination and Eros among Cells

pp. 221-227

Color Plates

Color Plates

pp. 229-232

The Implicit Body as Performance: Analyzing Interactive Art

pp. 233-238

Special Section of Leonardo Transactions: Arts, Humanities, and Complex Networks

Arts, Humanities and Complex Networks

p. 239

Networks of Photos, Landmarks, and People

pp. 240-243

Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora

pp. 244-245

The Social Network of Dante's Inferno

pp. 246-247

Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis

pp. 248-249

Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story

pp. 250-251

Narcotic of the Narrative

pp. 252-255

Net-Working with Maciunas

pp. 256-257

Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks!

pp. 258-259

When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks

pp. 260-261

Model Ideas: From Stem Cell Simulation to Floating Art Work

pp. 262-263

Cybernetic Bacteria 2.0

pp. 264-265

The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object

pp. 266-267

Leonardo Reviews

Digital Apollo: Human and Machine in Spaceflight (review)

pp. 269-270

Premediation: Affect and Mediality after 9/11 (review)

pp. 270-271

Bring on the Books for Everybody: How Literary Culture Became Popular Culture (review)

pp. 271-273

How to Catch a Robot Rat: When Biology Inspires Innovation (review)

p. 273

Photo-texts: Contemporary French Writing of the Photographic Image (review)

pp. 273-274

Blog Theory: Feedback and Capture in the Circuits of Drive (review)

pp. 274-275

Dara Birnbaum: Technology/Transformation: Wonder Woman (review)

pp. 275-276

Mapping Intermediality in Performance (review)

pp. 276-277

Designing Things: A Critical Introduction to the Culture of Objects (review)

pp. 277-279

The Object Reader (review)

pp. 279-280



p. 281

A Unified View of Models

pp. 282-283

Spectacle of the Masses: Characteristics of the Masses in MIOON's Works

pp. 284-285

Contingent Rule: Information Aesthetic, Performance and Hypermediacy

pp. 286-287

A Grin without a Cat: The Faciality of Electronic Art

pp. 288-289

Social Media as a New Public Sphere

pp. 290-291

A Taste for the Beautiful

pp. 292-293

Leonardo Network News

Leonardo Network News

p. 294

Supplemental Files Available

See mitpressjournals.org/toc/leon/44/3 for supplemental files (e.g. video clips, sound files, additional images) related to articles in this issue.

Research Areas


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