1. Nighttime Fires
  2. Regina Barreca
  3. p. 5
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  1. Dangerous People
  2. Diana G. Collier
  3. pp. 6-21
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  1. Train Ride to Tule Lake Internment Camp
  2. Marnie Mueller
  3. p. 22
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  1. What They Could Not Take With Them
  2. Maxine S. Petry-Anderson
  3. pp. 23-24
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  1. She Said I'll Never Forget One Evening
  2. Lyn Lifshin
  3. pp. 25-26
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  1. Wargames
  2. Robert Bensen
  3. p. 27
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  1. Sunday Six Pack
  2. Jonathan Gillman
  3. pp. 28-38
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  1. Piece Work, and: Inside the Wind
  2. M. Truman Cooper
  3. pp. 39-40
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  1. After the Dujinsheng Silk Factory Zhejiang Province
  2. Lenore Balliro
  3. pp. 41-43
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  1. The Book Called Thibet
  2. David James
  3. pp. 44-60
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  1. Protégé
  2. Margaret Jones
  3. pp. 61-69
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  1. Confidences
  2. Antony Oldknow
  3. p. 70
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  1. The Veil
  2. Kate Mele
  3. pp. 71-72
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  1. Fever
  2. Pat Schneider
  3. pp. 73-74
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  1. Swan Lake
  2. Kathleen Geminder
  3. pp. 78-80
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  1. Four Women
  2. Jalaine Halsall
  3. pp. 81-82
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  1. What Pyjamas Were
  2. Wing Tek Lum
  3. p. 83
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  1. The Last Trial of Kepler's Mother
  2. Nance Van Winckel
  3. p. 84
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  1. The Responsibility of the Hero
  2. Ellen Wittlinger
  3. pp. 85-86
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  1. The Museum of Fine Arts
  2. Kathleen Spivack
  3. pp. 87-88
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  1. Beware the Insistence of Gravity, Or Upon Waking in the Body of Cesar Vallejo
  2. George Kalamaras
  3. pp. 89-91
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  1. To the Young Man Who Said "Nuke 'em" When I Offered a Central America Flier
  2. Dennis Trudell
  3. pp. 92-93
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  1. Reminiscences: Victorious Life, Olive Schreiner
  2. Geraldine C. Little
  3. pp. 94-96
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  1. Spring Bomb
  2. Marcia Jagodzinske
  3. pp. 97-98
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  1. Symptoms of a Current Disorder
  2. Ernest Larsen
  3. pp. 99-102
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  1. 7:84 in 1985: 14 Years of Radical Popular Theater in Great Britain
  2. Eugène van Erven
  3. pp. 103-116
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  1. Thin Ice
  2. Beth Houston
  3. pp. 115-117
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  1. Theatre for the People: An Interview with John McGrath of the 7:84 Theatre Company
  2. Eugène van Erven
  3. pp. 117-122
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  1. Frank Lentricchia's Criticism and Social Change: The Literary Intellectual as Pragmatic Humanist
  2. Robert Wess
  3. pp. 123-131
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  1. The Left and Realignment
  2. John O'Kane
  3. pp. 132-143
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  1. Sea Change: Poems (review)
  2. Bill Tremblay
  3. pp. 149-151
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  1. "The Ashes of Pedro Abad Santos" and Other Poems (review)
  2. Roger J. Bresnahan
  3. pp. 151-153
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  1. Romance and Capitalism at the Movies, and: The Canal Bed (review)
  2. Carolyne Wright
  3. pp. 153-157
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  1. The Making of "Citizen Kane" (review)
  2. Jon Lewis
  3. pp. 157-159
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  1. Theatres of the Left 1880-1935: Workers' Theatre Movements in Britain and America (review)
  2. Valerie Quinney
  3. pp. 159-162
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  1. Political Shakespeare: New Essays in Cultural Materialism, and: Alternative Shakespeares (review)
  2. Ivo Kamps
  3. pp. 162-165
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  1. Culture as History: The Transformation of American Society in the Twentieth Century (review)
  2. David W. Noble
  3. pp. 165-168
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  1. Herbert Marcuse: Art of Liberation, and: Herbert Marcuse and the Crisis of Marxism (review)
  2. Richard Johnson
  3. pp. 175-178
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  1. The Philosophy of the Novel: Lukács, Marxism and the Dialectics of Form (review)
  2. Walter A. Davis
  3. pp. 178-181
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  1. Editor's Note
  2. p. 184
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  1. Contributors
  2. pp. 182-184
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