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In this Issue

Table of Contents

  1. Editor's Notes
  2. L.H. Stallings
  3. pp. 1-3
  4. restricted access

Articles

  1. Hyenas in the Enchanted Brothel: "The Naked Truth" in Djibril Diop Mambéty
  2. Greg Thomas
  3. pp. 8-25
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.8
  5. restricted access
  1. "Let It Go Black": Desire and the Erotic Subject in the Films of Bill Gunn
  2. Marlo D. David
  3. pp. 26-46
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.26
  5. restricted access
  1. "Redemptive Softness": Interiority, Intellect, and Black Women's Ecstasy in Kathleen Collins's Losing Ground
  2. L.H. Stallings
  3. pp. 47-62
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.47
  5. restricted access
  1. All the Sad Young Men: Whiteness as Melancholic Haunting in Black Queer Independent Film
  2. Samuel Park
  3. pp. 63-79
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.63
  5. restricted access
  1. The "Top" of the Heap: Race, Manhood, and Legitimation in My Life in Porn: The Bobby Blake Story
  2. Terry Rowden
  3. pp. 80-99
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.80
  5. restricted access
  1. Our Stories Have Never Been Told: Preliminary Thoughts on Black Lesbian Cultural Production as Historiography in The Watermelon Woman
  2. Matt Richardson
  3. pp. 100-113
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.100
  5. restricted access
  1. Variant Sexualities and African Modernity in Joseph Gaye Ramaka's Karmen Geï
  2. Babacar M'Baye
  3. pp. 114-129
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.114
  5. restricted access

Interviews

  1. From a Real Place and Real People: Interview with Mississippi Damned Writer/Director Tina Mabry
  2. Marlon Rachquel Moore
  3. pp. 130-137
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.130
  5. restricted access

Africultures Dossier

  1. African Film's Meaningful Body
  2. Olivier Barlet
  3. pp. 138-144
  4. DOI: https://doi.org/10.2979/blackcamera.2.2.138
  5. restricted access
  1. Poster Gallery: Coming Attractions
  2. L.H. Stallings
  3. pp. 146-154
  4. restricted access

Book Reviews

  1. Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970 (review)
  2. Phyllis Lynne Burns
  3. pp. 155-158
  4. restricted access

Film Reviews

  1. Children of God (review)
  2. Angelique V. Nixon
  3. pp. 159-162
  4. restricted access
  1. A Good Day to Be Black and Sexy (review)
  2. Dolores V. Sisco
  3. pp. 162-163
  4. restricted access

  1. Archival News
  3. p. 164
  4. restricted access

  1. Professional Notes and Research Resources
  3. pp. 165-170
  4. restricted access

  1. Notes on Contributors
  3. pp. 171-173
  4. restricted access