1. Hyenas in the Enchanted Brothel: "The Naked Truth" in Djibril Diop Mambéty
  2. Greg Thomas
  3. pp. 8-25
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  1. "Let It Go Black": Desire and the Erotic Subject in the Films of Bill Gunn
  2. Marlo D. David
  3. pp. 26-46
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  1. "Redemptive Softness": Interiority, Intellect, and Black Women's Ecstasy in Kathleen Collins's Losing Ground
  2. L.H. Stallings
  3. pp. 47-62
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  1. All the Sad Young Men: Whiteness as Melancholic Haunting in Black Queer Independent Film
  2. Samuel Park
  3. pp. 63-79
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  1. The "Top" of the Heap: Race, Manhood, and Legitimation in My Life in Porn: The Bobby Blake Story
  2. Terry Rowden
  3. pp. 80-99
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  1. Our Stories Have Never Been Told: Preliminary Thoughts on Black Lesbian Cultural Production as Historiography in The Watermelon Woman
  2. Matt Richardson
  3. pp. 100-113
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  1. Variant Sexualities and African Modernity in Joseph Gaye Ramaka's Karmen Geï
  2. Babacar M'Baye
  3. pp. 114-129
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  1. From a Real Place and Real People: Interview with Mississippi Damned Writer/Director Tina Mabry
  2. Marlon Rachquel Moore
  3. pp. 130-137
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  1. African Film's Meaningful Body
  2. Olivier Barlet
  3. pp. 138-144
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  1. Poster Gallery: Coming Attractions
  2. L.H. Stallings
  3. pp. 146-154
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  1. Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970 (review)
  2. Phyllis Lynne Burns
  3. pp. 155-158
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  1. Children of God (review)
  2. Angelique V. Nixon
  3. pp. 159-162
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  1. A Good Day to Be Black and Sexy (review)
  2. Dolores V. Sisco
  3. pp. 162-163
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  1. Archival News
  2. p. 164
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  1. Professional Notes and Research Resources
  2. pp. 165-170
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  1. Editor's Notes
  2. L.H. Stallings
  3. pp. 1-3
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  1. Notes on Contributors
  2. pp. 171-173
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