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  Volume 54, Number 1, Spring 2011

Table of Contents

"I cannot live without a macaroon!": Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo

pp. 1-23 | DOI: 10.1353/mdr.2011.0011

The Body and the Law in the Mexico/U.S. Borderlands: Violence and Violations in El viaje de los cantores by Hugo Salcedo and Backyard by Sabina Berman

pp. 24-44 | DOI: 10.1353/mdr.2011.0000

A Hasty Kind of Genius: Noël Coward's Hay Fever

pp. 45-61 | DOI: 10.1353/mdr.2011.0002

Impossible Representation: Edward Albee and the End of Liberal Tragedy

pp. 62-77 | DOI: 10.1353/mdr.2011.0004

The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker

pp. 78-98 | DOI: 10.1353/mdr.2011.0006

Reviews

The Cambridge Companion to Caryl Churchill (review)

pp. 99-101 | DOI: 10.1353/mdr.2011.0008

Storytelling and Drama: Exploring Narrative Episodes in Plays (review)

pp. 101-103 | DOI: 10.1353/mdr.2011.0010

Cutting Performances: Collage Events, Feminist Artists and the American Avant-Garde (review)

pp. 103-106 | DOI: 10.1353/mdr.2011.0013

Modernism after Wagner (review)

pp. 106-108 | DOI: 10.1353/mdr.2011.0001

Weyward Macbeth: Intersections of Race and Performance (review)

pp. 108-110 | DOI: 10.1353/mdr.2011.0003

Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)

pp. 110-112 | DOI: 10.1353/mdr.2011.0005

Changing the Subject: Marvin Carlson and Theatre Studies, 1959-2009 (review)

pp. 112-115 | DOI: 10.1353/mdr.2011.0007

Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)

pp. 115-117 | DOI: 10.1353/mdr.2011.0009

Contributors

Contributors

pp. 118-119 | DOI: 10.1353/mdr.2011.0012

Research Areas

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