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  Volume 54, Number 1, Spring 2011

Table of Contents

"I cannot live without a macaroon!": Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo

pp. 1-23
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The Body and the Law in the Mexico/U.S. Borderlands: Violence and Violations in El viaje de los cantores by Hugo Salcedo and Backyard by Sabina Berman

pp. 24-44
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A Hasty Kind of Genius: Noël Coward's Hay Fever

pp. 45-61
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Impossible Representation: Edward Albee and the End of Liberal Tragedy

pp. 62-77
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The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker

pp. 78-98
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Reviews

The Cambridge Companion to Caryl Churchill (review)

pp. 99-101
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Storytelling and Drama: Exploring Narrative Episodes in Plays (review)

pp. 101-103
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Cutting Performances: Collage Events, Feminist Artists and the American Avant-Garde (review)

pp. 103-106
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Modernism after Wagner (review)

pp. 106-108
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Weyward Macbeth: Intersections of Race and Performance (review)

pp. 108-110
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Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)

pp. 110-112
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Changing the Subject: Marvin Carlson and Theatre Studies, 1959-2009 (review)

pp. 112-115
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Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)

pp. 115-117
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Contributors

Contributors

pp. 118-119
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Research Areas

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