1. Notes
  2. Roger Mitchell
  3. p. I
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  1. Contributors
  2. p. 2
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  1. Homage to Baumeister Neumann
  2. Dave Wagner
  3. pp. 3-7
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  1. Poverty Breakfast Program
  2. Stuart Peterfreund
  3. p. 7
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  1. Motorway Scenery
  2. Wes Magee
  3. p. 12
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  1. Interesting Times
  2. Carol Papenhausen
  3. pp. 13-19
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  1. Tender Suite for the Washing Machines on the Porches of the Ozarks
  2. James Hazard
  3. pp. 20-22
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  1. Santa Monica Oceanfront, 1970
  2. Ellen Kirvin Dudis
  3. pp. 23-25
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  1. Normalcy
  2. Stephanie Mood
  3. p. 26
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  1. Hats Reblocked
  2. Thomas E. Hall
  3. p. 27
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  1. Cosmic Defraction
  2. Sandra Hall
  3. p. 28
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  1. Cake-Eater Dream
  2. Barry Pritchard
  3. pp. 29-37
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  1. A Cursing Poem
  2. Tom Wayman
  3. pp. 38-39
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  1. Out of My Eyes
  2. Margaret Randall
  3. pp. 40-42
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  1. Center
  2. Joan Webber
  3. p. 42
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  1. Museum
  2. Wislawa Szymborska, Agnieska Salska
  3. p. 43
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  1. Char
  2. R. Sieburth
  3. p. 44
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  1. Yes, Jesus Loves Me
  2. Donna E. Smyth
  3. pp. 45-52
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  1. Postcards
  2. David Steingass
  3. pp. 53-55
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  1. Little Places
  2. Charles Vandersee
  3. pp. 55-56
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  1. Demolition
  2. Barbara Moore
  3. pp. 56-57
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  1. Baklava
  2. Henrik Nordbrandt, Nadia Christensen
  3. p. 58
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  1. Salvaging the Marxist Criticism of the 30s
  2. David Peck
  3. pp. 59-84
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  1. Can Literature Be Evidence?
  2. David Craig, Michael Egan
  3. pp. 85-105
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  1. Wells as the Turning Point of the SF Tradition
  2. Darko Suvin
  3. pp. 106-115
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  1. Marx and Engels on Art and Literature: A Selection of Writings, and: Art and Society: Essays in Marxist Aesthetics (review)
  2. M. L. Raina
  3. pp. 116-120
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  1. People's Theatre in Amerika (review)
  2. Betsy Edelson
  3. pp. 120-122
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  1. Lyrical Subjectivity and the Disorganized Imagination
  2. Dave Wagner
  3. pp. 122-125
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  1. The Fiction Collective
  2. Barton R. Friedman
  3. pp. 129-136
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