1. Del director
  2. George D. Greenia
  3. pp. 1-2
  4. DOI: 10.1353/cor.2001.0028
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  1. Context and Manuscript Discourse in Late Medieval Castile
  2. Vincent Barletta
  3. pp. 3-35
  4. DOI: 10.1353/cor.2001.0002
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  1. Ideology in Action: the Consequences of Paradox in El Conde Lucanor, Part I
  2. Jonathan Burgoyne
  3. pp. 37-65
  4. DOI: 10.1353/cor.2001.0007
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  1. Propuestas de correcciones a la interpretación de las xarajāt A2, A4, A7 y A27
  2. Federico Corriente
  3. pp. 67-86
  4. DOI: 10.1353/cor.2001.0012
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  1. "¿Qué dizes de las Mugeres?": Donzella Teodor as the Conclusion to Bocados de Oro
  2. Emily C. Francomano
  3. pp. 87-110
  4. DOI: 10.1353/cor.2001.0017
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  1. Inventing the Spanish Middle Ages: Ramón Menéndez Pidal, Spanish Cultural History, and Ideology in Philology
  2. E. Michael Gerli
  3. pp. 111-126
  4. DOI: 10.1353/cor.2001.0022
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  1. Velos Negros and Blancas vs. Morenas: a Motif Subverted?
  2. John Gornall
  3. pp. 127-131
  4. DOI: 10.1353/cor.2001.0026
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  1. Auctor omnisciente, auctor testigo: el marco narrativo en Cárcel de amor
  2. Rogelio Miñana
  3. pp. 133-148
  4. DOI: 10.1353/cor.2001.0000
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  1. [Ou] cab'ou danha / ca bode d'anha. Dos interpretaciones para una lectura de la cantiga B 481 V 61 de Alfonso X
  2. Juan Paredes
  3. pp. 149-158
  4. DOI: 10.1353/cor.2001.0005
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  1. A Gradual Approach to Sibilant + /j/ Metathesis in Hispano-Romance
  2. Kenneth Wireback
  3. pp. 159-203
  4. DOI: 10.1353/cor.2001.0010
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  1. Digital Imaging Standards for Research and Teaching
  2. Mark Johnston
  3. pp. 205-213
  4. DOI: 10.1353/cor.2001.0015
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  1. Back to the Future of Medieval and Early Modern Iberian Studies
  2. Sidney Donnell
  3. pp. 215-222
  4. DOI: 10.1353/cor.2001.0020
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  1. What Queer Iberians Have To Say....
  2. Gregory S. Hutcheson
  3. pp. 223-227
  4. DOI: 10.1353/cor.2001.0024
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  1. Uncannily Queer Iberia: The Past and Present of Imperial Panic
  2. Mary Gossy
  3. pp. 228-230
  4. DOI: 10.1353/cor.2001.0029
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  1. Response to "Sex and Social Control"
  2. Harry Vélez Quiñones
  3. pp. 231-235
  4. DOI: 10.1353/cor.2001.0003
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  1. ¿Cuán queer fue Iberia?
  2. Daniel Eisenberg
  3. pp. 236-238
  4. DOI: 10.1353/cor.2001.0008
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  1. Refractions of Queer Iberia: Post-Francoist Peninsular Camp
  2. Leora Lev
  3. pp. 239-243
  4. DOI: 10.1353/cor.2001.0013
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  1. Response to "Using Literary Texts in a History of Sexuality"
  2. Jean Dangler
  3. pp. 244-247
  4. DOI: 10.1353/cor.2001.0018
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  1. Dissidences
  2. Josiah Blackmore
  3. pp. 248-251
  4. DOI: 10.1353/cor.2001.0023
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  1. Hispanism, Queer History and Community
  2. Israel Burshatin
  3. pp. 252-259
  4. DOI: 10.1353/cor.2001.0027
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  1. Works Cited in "Return to Queer Iberia"
  2. pp. 260-265
  3. DOI: 10.1353/cor.2001.0001
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  1. Modern Metrical Theory and the 'Verso de Arte Mayor' (review)
  2. Ana M. Gómez-Bravo
  3. pp. 283-285
  4. DOI: 10.1353/cor.2001.0016
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  1. The Spain of the Catholic Monarchs, 1474-1520 (review)
  2. E. Michael Gerli
  3. pp. 286-287
  4. DOI: 10.1353/cor.2001.0021
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  1. Folklore and Literature. Studies in the Portuguese, Brazilian, Sephardic, and Hispanic Oral Tradition (review)
  2. Harriet Goldberg
  3. pp. 288-292
  4. DOI: 10.1353/cor.2001.0025
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  1. El espejo y el piélago. La «Eneida» castellana de Enrique de Villena (review)
  2. Derek C. Carr
  3. pp. 293-297
  4. DOI: 10.1353/cor.2001.0030
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  1. Alfonso X and the Cantigas de Santa Maria. A Poetic Biography (review)
  2. Joseph T. Snow
  3. pp. 307-309
  4. DOI: 10.1353/cor.2001.0004
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  1. Spanish Gender and the Brain (review)
  2. Cristina Sanz
  3. pp. 310-312
  4. DOI: 10.1353/cor.2001.0009
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  1. Vida de Segundo; Versión castellana de la Vita Secundi de Vicente de Beauvais (review)
  2. Emily C. Francomano
  3. pp. 313-316
  4. DOI: 10.1353/cor.2001.0014
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  1. John K. Walsh Award
  2. p. 317
  3. DOI: 10.1353/cor.2001.0019
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  1. A New Introduction to the Music and Poetry of the Cantigas de Santa Maria
  2. Israel J. Katz
  3. pp. 267-278
  4. DOI: 10.1353/cor.2001.0006
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  1. Appendix of Errata
  2. pp. 297-306
  3. DOI: 10.1353/cor.2001.0031
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