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Table of Contents

  1. Marie de France's Chievrefoil, Hazel Rods, and the Ogam Letters Coll and Uillenn
  2. William Sayers
  3. pp. 3-16
  4. DOI: https://doi.org/10.1353/art.2004.0024
  5. restricted access
  1. Violence, Saracens, and English Identity in Of Arthour and of Merlin
  2. Siobhain Bly Calkin
  3. pp. 17-36
  4. DOI: https://doi.org/10.1353/art.2004.0038
  5. restricted access
  1. En-graving Chivalry: Tombs, Burial, and the Ideology of Knighthood in Malory's Tale of King Arthur
  2. Kenneth Tiller
  3. pp. 37-53
  4. DOI: https://doi.org/10.1353/art.2004.0052
  5. restricted access
  1. Prison and Knightly Identity in Sir Thomas Malory's Morte Darthur
  2. Roberta Davidson
  3. pp. 54-63
  4. DOI: https://doi.org/10.1353/art.2004.0066
  5. restricted access
  1. Three Notes by Helmut Nickel
  2. Helmut Nickel
  3. p. 64
  4. DOI: https://doi.org/10.1353/art.2004.0079
  5. restricted access
  1. Who was Eslit?
  2. Helmut Nickel
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/art.2004.0090
  5. restricted access
  1. What Kind of Animal was the Questing Beast?
  2. Helmut Nickel
  3. pp. 66-69
  4. DOI: https://doi.org/10.1353/art.2004.0088
  5. restricted access
  1. Black against White: What Color was King Arthur's Horse?
  2. Helmut Nickel
  3. pp. 69-72
  4. DOI: https://doi.org/10.1353/art.2004.0089
  5. restricted access
  1. 'God bless the child that has his own': The History of the IAS Vinaver Trust
  2. W.R.J. Barron, G.N. Bromiley
  3. pp. 72-77
  4. DOI: https://doi.org/10.1353/art.2004.0005
  5. restricted access
  1. News from the North American Branch
  2. D. Thomas Hanks Jr.
  3. pp. 78-82
  4. DOI: https://doi.org/10.1353/art.2004.0019
  5. restricted access
  1. Joan of Arc and Sacrificial Authorship by Ann W. Astell (review)
  2. Jane Marie Pinzino
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/art.2004.0033
  5. restricted access
  1. Codex and Context: Reading Old French Verse Narrative in Manuscript by Keith Busby (review)
  2. Jean Blacker
  3. pp. 85-88
  4. DOI: https://doi.org/10.1353/art.2004.0047
  5. restricted access
  1. Medieval Identity Machines by Jeffrey Jerome Cohen (review)
  2. Tison Pugh
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/art.2004.0061
  5. restricted access
  1. Women, Reading, and Piety in Late Medieval England by Mary C. Erler (review)
  2. Jacqueline Jenkins
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/art.2004.0014
  5. restricted access
  1. The Matter of Identity in Medieval Romance edited by Phillipa Hardman (review)
  2. Lynne Dahmen
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/art.2004.0028
  5. restricted access
  1. God and the Goddesses: Vision, Poetry, and Belief in the Middle Ages by Barbara Newman (review)
  2. Jane Chance
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/art.2004.0083
  5. restricted access
  1. Arthur in Medieval Welsh Literature by O. J. Padel (review)
  2. Kristen Lee Over
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/art.2004.0008
  5. restricted access
  1. The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding by Liam O. Purdon (review)
  2. Brad Greenburg
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/art.2004.0022
  5. restricted access
  1. Understanding Scholastic Thought with Foucault by Philipp W. Rosemann (review)
  2. Wanda Zemler-Cizewski
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/art.2004.0036
  5. restricted access
  1. A Pagan Spoiled: Sex and Character in Wagner's Parsifal by Anthony Winterbourne (review)
  2. John Christopher Kleis
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/art.2004.0064
  5. restricted access