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  Volume 29, 2011

Table of Contents

Editor's Preface

p. 1
|

"La carrera de la muerte": Death, Driving, and Rituals of Modernization in 1950s Mexico

pp. 2-23
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Memories of Che: Forging a Postmodern Radicalism in Cultural Studies?

pp. 24-39
|

Mulas y arrieros: Narcotráfico y los correos de la cocaína en la literatura colombiana contemporánea

pp. 40-57
|

What Is a Corrido? Musical Analysis and Narrative Function

pp. 58-79
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Telling Identities: Crime Narratives for Local and International Markets in María, Full of Grace (Marston, 2004) and Rosario Tijeras (Maillé, 2005)

pp. 80-101
|

From Girly Men to Manly Men: The Evolving Representation of Male Homosexuality in Twenty-First Century Telenovelas

pp. 102-114
|

"Amarrado al recuerdo"—The Memory Dimension in Classical Tango Lyrics

pp. 115-141
|

How to Read Chico Bento: Brazilian Comics and National Identity

pp. 142-163
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Actuar para (sobre)vivir: Rock nacional y cumbia villera en Argentina

pp. 164-183
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El narcocorrido religioso: usos y abusos de un género

pp. 184-201
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Interviews

On Pirate Cinema and Crying in Airports: A Conversation with Alberto Fuguet

pp. 202-217
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La ficción paranoica y el nacimiento de la novela policial: una entrevista con Ricardo Piglia

pp. 218-229
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Book Reviews and Review Essays

Latin American Melodrama: Passion, Pathos, and Entertainment (review)

pp. 230-232
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Sujetos transnacionales: la negociación en cine y literatura (review)

pp. 232-235
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La novela sicaresca. Testimonio, sensacionalismo y ficción (review)

pp. 235-238
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The Berimbau: Soul of Brazilian Music (review)

pp. 238-240
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Research Areas

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