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In this Issue

Table of Contents

  1. To the Editor:
  2. Robert Franklin
  3. p. 1
  4. restricted access
  1. The photoplay or the pickaxe: extras, gender, and labour in early Hollywood
  2. Denise McKenna
  3. pp. 5-19
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.5
  5. restricted access
  1. Film flashes of the European front: The war diary of Albert K. Dawson, 1915-1916
  2. Ron van Dopperen, Cooper C. Graham
  3. pp. 20-37
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.20
  5. restricted access
  1. Film and finance in Weimar Germany: the rise and fall of David Schratter's Trianon-Film, 1923-1925
  2. Thomas J. Saunders
  3. pp. 38-56
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.38
  5. restricted access
  1. "The double feature evil": efforts to eliminate the American dual bill
  2. Gary D. Rhodes
  3. pp. 57-74
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.57
  5. restricted access
  1. Fred Zinnemann's Search (1945-48): Reconstructing the voices of Europe's children
  2. J.E. Smyth
  3. pp. 75-92
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.75
  5. restricted access
  1. Now is the time (to put on your glasses): 3-D film exhibition in Britain, 1951-55
  2. Keith M. Johnston
  3. pp. 93-103
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.93
  5. restricted access
  1. Introduction: Art, Industry, Technology
  2. Richard Koszarski
  3. p. 3
  4. DOI: https://doi.org/10.2979/filmhistory.23.1.3
  5. restricted access