1. Mocking the Mothers of the Novel: Mary Wollstonecraft, Maternal Metaphor, and the Reproduction of Sympathy
  2. Mary Beth Tegan
  3. pp. 357-376
  4. DOI: 10.1353/sdn.2011.0012
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  1. Prevention as Narrative in Jane Austen's Mansfield Park
  2. Erika Wright
  3. pp. 377-394
  4. DOI: 10.1353/sdn.2011.0001
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  1. Tradition and Individual Talent in Willa Cather's Death Comes for the Archbishop
  2. Adam Jabbur
  3. pp. 395-420
  4. DOI: 10.1353/sdn.2011.0003
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  1. Pleasure and Peril: Dynamic Forces of Power and Desire in Siri Hustvedt's The Blindfold
  2. Alise Jameson
  3. pp. 421-442
  4. DOI: 10.1353/sdn.2011.0005
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  1. Resurveying DeLillo's "White Space on Map": Liminality and Communitas in Underworld
  2. Lee Rozelle
  3. pp. 443-452
  4. DOI: 10.1353/sdn.2011.0007
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  1. The Waiting Game: Medieval Allusions and the Lethal Nature of Passivity in Ian McEwan's Atonement
  2. Mary Behrman
  3. pp. 453-470
  4. DOI: 10.1353/sdn.2011.0009
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  1. Faulknerscapes
  2. Ted Atkinson
  3. pp. 471-478
  4. DOI: 10.1353/sdn.2011.0011
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  1. From Sketch to Novel: The Development of Victorian Fiction (review)
  2. Julia Sun-Joo Lee
  3. pp. 480-482
  4. DOI: 10.1353/sdn.2011.0000
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  1. Contemporary Dickens (review)
  2. Shale Preston
  3. pp. 482-484
  4. DOI: 10.1353/sdn.2011.0002
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  1. The Hero in Contemporary American Fiction: The Works of Saul Bellow and Don DeLillo (review)
  2. Jeffrey Severs
  3. pp. 484-486
  4. DOI: 10.1353/sdn.2011.0004
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  1. Aging by the Book: The Emergence of Midlife in Victorian Britain (review)
  2. Tamara S. Wagner
  3. pp. 486-489
  4. DOI: 10.1353/sdn.2011.0006
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  1. Clarissa's Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson (review)
  2. Janet Aikins Yount
  3. pp. 489-491
  4. DOI: 10.1353/sdn.2011.0008
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