Volume 6, Numbers 1 and 2, Fall 1982

Table of Contents

Art and Truth: Reading Proust

pp. 1-16
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Narration and Knowledge

pp. 17-32
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Imagining Reality in To the Lighthouse

pp. 33-44
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Time and Technique in Gulliver's Third Voyage

pp. 45-61
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Iris Murdoch on the Ethical Significance of Truth

pp. 62-75
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The Platonic Art of Comedy and Tragedy

pp. 76-93
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Is the Apology of Socrates a Parody?

pp. 94-105
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Socrates as Hero

pp. 106-118
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Fictional Descriptions

pp. 119-132
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Incompatible Interpretations of Art

pp. 133-146
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The Apple in the Vortex: Newton, Blake, and Descartes

pp. 147-161
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Fiction for Five Fingers

pp. 162-164
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The Literal Intent of Berkeley's Dialogues

pp. 165-171
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Interpretation: An Essay in the Philosophy of Literary Criticism (review)

pp. 172-179
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The Great Code: The Bible and Literature (review)

pp. 180-189
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What is Criticism? (review)

pp. 190-195
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On Metaphor (review)

pp. 196-205
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The Political Unconscious: Narrative as a Socially Symbolic Act (review)

pp. 206-207
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Is There a Text in This Class? The Authority of Interpretive Communities (review)

pp. 207-208
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"A Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins (review)

pp. 209-210
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After the New Criticism (review)

pp. 210-211
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Perpetuum Mobile: A Study of the Novels and Aesthetics of Michel Butor (review)

pp. 211-212
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Pascal: Adversary and Advocate (review)

pp. 212-214
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The Question of Belief in Literary Criticism: An Introduction to the Hermeneutical Theory of Paul Ricoeur (review)

pp. 214-215
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Desire in Language (review)

pp. 215-216
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Plato's "Phaedrus": A Defense of the Philosophic Art of Writing (review)

pp. 217-218
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Borges and His Fiction: A Guide to His Mind and Art (review)

pp. 218-219
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Nietzsche On Tragedy (review)

pp. 219-220
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Contemporary Literary Hermeneutics and Interpretation of Classical Texts (review)

pp. 220-221
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Arts on the Level: The Fall of the Elite Object (review)

pp. 221-222
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Structuralism and Hermeneutics (review)

pp. 222-223
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Saving the Text: Literature/Derrida/Philosophy (review)

pp. 223-224
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