1. Art and Truth: Reading Proust
  2. Mary Crenshaw Rawlinson
  3. pp. 1-16
  4. DOI: 10.1353/phl.1982.0018
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  1. Narration and Knowledge
  2. Arthur C. Danto
  3. pp. 17-32
  4. DOI: 10.1353/phl.1982.0023
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  1. Imagining Reality in To the Lighthouse
  2. Graham Parkes
  3. pp. 33-44
  4. DOI: 10.1353/phl.1982.0028
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  1. Time and Technique in Gulliver's Third Voyage
  2. James E. Swearingen
  3. pp. 45-61
  4. DOI: 10.1353/phl.1982.0001
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  1. Iris Murdoch on the Ethical Significance of Truth
  2. Genevieve Lloyd
  3. pp. 62-75
  4. DOI: 10.1353/phl.1982.0006
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  1. The Platonic Art of Comedy and Tragedy
  2. Richard Patterson
  3. pp. 76-93
  4. DOI: 10.1353/phl.1982.0011
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  1. Is the Apology of Socrates a Parody?
  2. Kenneth Seeskin
  3. pp. 94-105
  4. DOI: 10.1353/phl.1982.0016
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  1. Socrates as Hero
  2. Robert Eisner
  3. pp. 106-118
  4. DOI: 10.1353/phl.1982.0021
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  1. Fictional Descriptions
  2. Steven L. Ross
  3. pp. 119-132
  4. DOI: 10.1353/phl.1982.0026
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  1. Incompatible Interpretations of Art
  2. Susan L. Feagin
  3. pp. 133-146
  4. DOI: 10.1353/phl.1982.0031
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  1. The Apple in the Vortex: Newton, Blake, and Descartes
  2. Bryce J. Christensen
  3. pp. 147-161
  4. DOI: 10.1353/phl.1982.0004
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  1. Fiction for Five Fingers
  2. Nelson Goodman
  3. pp. 162-164
  4. DOI: 10.1353/phl.1982.0009
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  1. The Literal Intent of Berkeley's Dialogues
  2. Richard T. Lambert
  3. pp. 165-171
  4. DOI: 10.1353/phl.1982.0014
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  1. Interpretation: An Essay in the Philosophy of Literary Criticism (review)
  2. Martin Warner
  3. pp. 172-179
  4. DOI: 10.1353/phl.1982.0019
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  1. The Great Code: The Bible and Literature (review)
  2. Francis Sparshott
  3. pp. 180-189
  4. DOI: 10.1353/phl.1982.0024
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  1. What is Criticism? (review)
  2. Alfred Louch
  3. pp. 190-195
  4. DOI: 10.1353/phl.1982.0029
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  1. On Metaphor (review)
  2. Roger A. Shiner
  3. pp. 196-205
  4. DOI: 10.1353/phl.1982.0002
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  1. The Political Unconscious: Narrative as a Socially Symbolic Act (review)
  2. Gary Shapiro
  3. pp. 206-207
  4. DOI: 10.1353/phl.1982.0007
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  1. Is There a Text in This Class? The Authority of Interpretive Communities (review)
  2. John M. Ellis
  3. pp. 207-208
  4. DOI: 10.1353/phl.1982.0012
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  1. "A Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins (review)
  2. R. D. Ackerman
  3. pp. 209-210
  4. DOI: 10.1353/phl.1982.0017
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  1. After the New Criticism (review)
  2. Charles Altieri
  3. pp. 210-211
  4. DOI: 10.1353/phl.1982.0022
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  1. Perpetuum Mobile: A Study of the Novels and Aesthetics of Michel Butor (review)
  2. Liliane Welch
  3. pp. 211-212
  4. DOI: 10.1353/phl.1982.0027
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  1. Pascal: Adversary and Advocate (review)
  2. Joseph J. Maier
  3. pp. 212-214
  4. DOI: 10.1353/phl.1982.0000
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  1. Desire in Language (review)
  2. Willis Domingo
  3. pp. 215-216
  4. DOI: 10.1353/phl.1982.0010
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  1. Plato's "Phaedrus": A Defense of the Philosophic Art of Writing (review)
  2. Christopher Gill
  3. pp. 217-218
  4. DOI: 10.1353/phl.1982.0015
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  1. Borges and His Fiction: A Guide to His Mind and Art (review)
  2. William Slaymaker
  3. pp. 218-219
  4. DOI: 10.1353/phl.1982.0020
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  1. Nietzsche On Tragedy (review)
  2. Elinor J. M. West
  3. pp. 219-220
  4. DOI: 10.1353/phl.1982.0025
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  1. Contemporary Literary Hermeneutics and Interpretation of Classical Texts (review)
  2. Patricia Altenbernd Johnson
  3. pp. 220-221
  4. DOI: 10.1353/phl.1982.0030
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  1. Arts on the Level: The Fall of the Elite Object (review)
  2. Larry Shiner
  3. pp. 221-222
  4. DOI: 10.1353/phl.1982.0003
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  1. Structuralism and Hermeneutics (review)
  2. Stephen H. Watson
  3. pp. 222-223
  4. DOI: 10.1353/phl.1982.0008
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  1. Saving the Text: Literature/Derrida/Philosophy (review)
  2. Richard A. Cohen
  3. pp. 223-224
  4. DOI: 10.1353/phl.1982.0013
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  1. The Question of Belief in Literary Criticism: An Introduction to the Hermeneutical Theory of Paul Ricoeur (review)
  2. Michael Murray
  3. pp. 214-215
  4. DOI: 10.1353/phl.1982.0005
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