1. Material Economy, Spiritual Economy, and Social Critique in Everyman
  2. Elizabeth Harper, Britt Mize
  3. pp. 263-311
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  1. "Things like truths, well feigned": Mimesis And Secrecy in Jonson's Epicoene
  2. Reuben Sanchez
  3. pp. 313-336
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  1. The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard
  2. Zoran Milutinović
  3. pp. 337-364
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  1. Wales: Records of Early Drama (review)
  2. John J. McGavin
  3. pp. 365-371
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  1. The Name and Nature of Tragicomedy (review)
  2. Robert Henke
  3. pp. 371-373
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  1. The Masks of Anthony and Cleopatra (review)
  2. Robert A. Logan
  3. pp. 374-377
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  1. Textual Patronage in English Drama, 1570-1640 (review)
  2. Michael G. Brennan
  3. pp. 377-380
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  1. The Provincetown Players and the Culture of Modernity (review)
  2. Cheryl Black
  3. pp. 380-383
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  1. Shakespeare and Chekhov in Production and Reception: Theatrical Events and their Audiences (review)
  2. Gretchen E. Minton
  3. pp. 383-386
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  1. Performing Early Modern Trauma from Shakespeare to Milton (review)
  2. Andrew Escobedo
  3. pp. 386-389
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  1. Theater and Incarnation (review)
  2. Pamela M. King
  3. pp. 390-393
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  1. Bertolt Brecht's Dramatic Theory (review)
  2. Carl Weber
  3. pp. 393-399
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  1. Brief Notices
  2. pp. 401-404
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