Volume 40, Number 3, Fall 2006

Table of Contents

Contents

Material Economy, Spiritual Economy, and Social Critique in Everyman

pp. 263-311
|

"Things like truths, well feigned": Mimesis And Secrecy in Jonson's Epicoene

pp. 313-336
|

The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard

pp. 337-364
|

Reviews

Wales: Records of Early Drama (review)

pp. 365-371
|

The Name and Nature of Tragicomedy (review)

pp. 371-373
|

The Masks of Anthony and Cleopatra (review)

pp. 374-377
|

Textual Patronage in English Drama, 1570-1640 (review)

pp. 377-380
|

The Provincetown Players and the Culture of Modernity (review)

pp. 380-383
|

Shakespeare and Chekhov in Production and Reception: Theatrical Events and their Audiences (review)

pp. 383-386
|

Performing Early Modern Trauma from Shakespeare to Milton (review)

pp. 386-389
|

Theater and Incarnation (review)

pp. 390-393
|

Bertolt Brecht's Dramatic Theory (review)

pp. 393-399
|

Brief Notices

Brief Notices

pp. 401-404
|