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  Volume 40, Number 3, Fall 2006

Table of Contents


Material Economy, Spiritual Economy, and Social Critique in Everyman

pp. 263-311 | DOI: 10.1353/cdr.2006.0033

"Things like truths, well feigned": Mimesis And Secrecy in Jonson's Epicoene

pp. 313-336 | DOI: 10.1353/cdr.2006.0035

The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard

pp. 337-364 | DOI: 10.1353/cdr.2006.0037


Wales: Records of Early Drama (review)

pp. 365-371 | DOI: 10.1353/cdr.2006.0039

The Name and Nature of Tragicomedy (review)

pp. 371-373 | DOI: 10.1353/cdr.2006.0028

The Masks of Anthony and Cleopatra (review)

pp. 374-377 | DOI: 10.1353/cdr.2006.0030

Textual Patronage in English Drama, 1570-1640 (review)

pp. 377-380 | DOI: 10.1353/cdr.2006.0032

The Provincetown Players and the Culture of Modernity (review)

pp. 380-383 | DOI: 10.1353/cdr.2006.0034

Shakespeare and Chekhov in Production and Reception: Theatrical Events and their Audiences (review)

pp. 383-386 | DOI: 10.1353/cdr.2006.0036

Performing Early Modern Trauma from Shakespeare to Milton (review)

pp. 386-389 | DOI: 10.1353/cdr.2006.0038

Theater and Incarnation (review)

pp. 390-393 | DOI: 10.1353/cdr.2006.0027

Bertolt Brecht's Dramatic Theory (review)

pp. 393-399 | DOI: 10.1353/cdr.2006.0029

Brief Notices

Brief Notices

pp. 401-404 | DOI: 10.1353/cdr.2006.0031

Research Areas


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