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In this Issue

Table of Contents

  1. Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear
  2. Philip D. Collington
  3. pp. 247-269
  4. DOI: https://doi.org/10.1353/cdr.2001.0034
  5. restricted access
  1. The Boy Who Would Be King: Court Revels of King Edward VI, 1547-1553
  2. Suzanne Westfall
  3. pp. 271-290
  4. DOI: https://doi.org/10.1353/cdr.2001.0002
  5. restricted access
  1. Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama
  2. Gregory J. Reid
  3. pp. 291-318
  4. DOI: https://doi.org/10.1353/cdr.2001.0008
  5. restricted access
  1. Situating the Holy: Celtic Community in Breton and Cornish Saint Plays
  2. Victor I. Scherb
  3. pp. 319-343
  4. DOI: https://doi.org/10.1353/cdr.2001.0013
  5. restricted access
  1. "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays
  2. Zvika Serper
  3. pp. 345-376
  4. DOI: https://doi.org/10.1353/cdr.2001.0019
  5. restricted access
  1. Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour
  2. Nancy Guy
  3. pp. 377-392
  4. DOI: https://doi.org/10.1353/cdr.2001.0025
  5. restricted access
  1. Shakespeare's "Books of Memory": 1 and 2 Henry VI
  2. Jerome Mazzaro
  3. pp. 393-414
  4. DOI: https://doi.org/10.1353/cdr.2001.0031
  5. restricted access
  1. Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem
  2. Elizabeth Kowaleski Wallace
  3. pp. 415-433
  4. DOI: https://doi.org/10.1353/cdr.2001.0037
  5. restricted access
  1. O'Neill and Jamie: A Survivor's Tale
  2. Michael Hinden
  3. pp. 435-445
  4. DOI: https://doi.org/10.1353/cdr.2001.0005
  5. restricted access
  1. Hedda and Bailu: Portraits of Two "Bored" Women
  2. Chengzhou He
  3. pp. 447-463
  4. DOI: https://doi.org/10.1353/cdr.2001.0011
  5. restricted access

Reviews

  1. Power into Pageantry: Spectacle Entertainments of Early Imperial Rome (review)
  2. Garrett Fagan
  3. pp. 465-469
  4. DOI: https://doi.org/10.1353/cdr.2001.0017
  5. restricted access
  1. Trevor Griffiths: Politics, Drama, History (review)
  2. Jenny S. Spencer
  3. pp. 469-472
  4. DOI: https://doi.org/10.1353/cdr.2001.0023
  5. restricted access
  1. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe (review)
  2. Karen Cunningham
  3. pp. 472-475
  4. DOI: https://doi.org/10.1353/cdr.2001.0029
  5. restricted access
  1. Performing America: Cultural Nationalism in American Theater (review)
  2. Thomas P. Adler
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/cdr.2001.0035
  5. restricted access
  1. Shakespeare's Noise (review)
  2. Grace Tiffany
  3. pp. 479-482
  4. DOI: https://doi.org/10.1353/cdr.2001.0003
  5. restricted access
  1. The Text in Play: Representations of Rehearsal in Modern Drama (review)
  2. Kinereth Meyer
  3. pp. 483-485
  4. DOI: https://doi.org/10.1353/cdr.2001.0009
  5. restricted access
  1. Gender and Politics in Greek Tragedy (review)
  2. Mary Kay Gamel
  3. pp. 486-489
  4. DOI: https://doi.org/10.1353/cdr.2001.0015
  5. restricted access
  1. Theatre under the Nazis (review)
  2. Robert Hinkel
  3. pp. 489-493
  4. DOI: https://doi.org/10.1353/cdr.2001.0021
  5. restricted access
  1. The Cambridge Companion to Shakespeare on Film (review)
  2. Frances Teague
  3. pp. 493-496
  4. DOI: https://doi.org/10.1353/cdr.2001.0027
  5. restricted access
  1. Adulterous Alliances: Home, State, and History in Early European Drama and Painting (review)
  2. Sara Eaton
  3. pp. 496-500
  4. DOI: https://doi.org/10.1353/cdr.2001.0033
  5. restricted access

Index to Volumne 35 2001-2002

  1. Index to Volume 35 (2001-2002)
  3. p. 501
  4. DOI: https://doi.org/10.1353/cdr.2001.0001
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Reviews

  1. Reviews
  3. p. 502
  4. DOI: https://doi.org/10.1353/cdr.2001.0007
  5. restricted access